By CELSO FREDERICO: The field of culture is pre-political and, historically, has only produced frayed forms of social integration. It is necessary to rescue politics, the defense of democracy and social emancipation.
By SLAVOJ ŽIŽEK: In a lockdown, we lived off old stocks of food and other provisions, so now the difficult task is to get out of the lockdown and invent a new life under viral conditions
By PRISCILA DELGADO DE CARVALHO: Commentary on the recently released book by Leonardo Avritzer
By SAMUEL JORGE MOYSÉS and CARLOS BOTAZZO: The new version of our eternal sphinx is a death moth, which feeds the delirious fantasies of characters who are not capable of devouring their own repression
By ROBERTO BUENO: The contemporary version, like the previous figure of the slave, is an object of contempt, a being that is objectified, devoid of value, endowed with a spirit that can be subjected and a body that can be imprisoned.
By CELSO FREDERICO: The field of culture is pre-political and, historically, has only produced frayed forms of social integration. It is necessary to rescue politics, the defense of democracy and social emancipation.
By SLAVOJ ŽIŽEK: In a lockdown, we lived off old stocks of food and other provisions, so now the difficult task is to get out of the lockdown and invent a new life under viral conditions
By PRISCILA DELGADO DE CARVALHO: Commentary on the recently released book by Leonardo Avritzer
By SAMUEL JORGE MOYSÉS and CARLOS BOTAZZO: The new version of our eternal sphinx is a death moth, which feeds the delirious fantasies of characters who are not capable of devouring their own repression
By ROBERTO BUENO: The contemporary version, like the previous figure of the slave, is an object of contempt, a being that is objectified, devoid of value, endowed with a spirit that can be subjected and a body that can be imprisoned.