By LISZT VIEIRA: In Venezuela, although repressed, the right-wing opposition is tolerated and competes in the presidential election, but I wouldn't put my hand in the fire for one or the other: everything has to be proven
By PETER SLOTERDIJK: Author's introduction to the newly published book
By TARSUS GENUS: Rio Grande do Sul is the symbol of the impasse portrayed in Goya’s painting “Duelo a Garratozos”, as the climate tragedy puts the state in the same situation as the duelists
By ALBINA GIBADULLINA: Spatial Inequalities of Asset Management Capitalism
By SALEM NASSER: Settlements are just the most visible end of the machine that operates to clear the land of Palestinians
By LISZT VIEIRA: In Venezuela, although repressed, the right-wing opposition is tolerated and competes in the presidential election, but I wouldn't put my hand in the fire for one or the other: everything has to be proven
By PETER SLOTERDIJK: Author's introduction to the newly published book
By TARSUS GENUS: Rio Grande do Sul is the symbol of the impasse portrayed in Goya’s painting “Duelo a Garratozos”, as the climate tragedy puts the state in the same situation as the duelists
By ALBINA GIBADULLINA: Spatial Inequalities of Asset Management Capitalism
By SALEM NASSER: Settlements are just the most visible end of the machine that operates to clear the land of Palestinians
