Maristela, Kino Films and Multifilms
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
15/10/2024
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By FLÁVIO R. KOTHE: A great work is built from horizons that are broader than the present domination: it allows the reader to fly over abysses
By MAURO ZILBOVICIUS: Everyone governs with choices, priorities and commitments to those they work with. Not everyone makes this clear, and they end up hiding their commitments to these so-called “utopian” proposals.
By BRUNO FABRICIO ALCEBINO DA SILVA: Uruguay becomes a laboratory for social experimentation, a model for Latin America
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By FLÁVIO R. KOTHE: A great work is built from horizons that are broader than the present domination: it allows the reader to fly over abysses
By MAURO ZILBOVICIUS: Everyone governs with choices, priorities and commitments to those they work with. Not everyone makes this clear, and they end up hiding their commitments to these so-called “utopian” proposals.
By BRUNO FABRICIO ALCEBINO DA SILVA: Uruguay becomes a laboratory for social experimentation, a model for Latin America
