By TARSUS GENUS: The hegemonic dispute has migrated to digital control and the financialization of the State, with global actors and local elites eroding democracy in favor of private interests
By HENRY BURNETT: The courage of the tragic placed Nana in the pantheon of great artists of the world. From where she will never leave
By EMILIO CAFASSI: Pope Francis has not stripped the Church bare: he has merely reinforced its frayed hems, like someone extending the life of a worn and stained garment, incapable of sheltering the present.
By MICHAEL MOORE: The filmmaker recalls the invasion of Vietnam and the need for Americans to apologize for this genocidal war and others promoted or supported by Americans, such as the genocide against the Palestinians.
By SAMUEL KILSZTAJN: An exile never returns to his homeland. In my case, even if I wanted to, I could never return, because my homeland was extinguished, it no longer exists.
By LAZAR VASCONCELOS OLIVEIRA: Shakespeare's play Othello is a great illustration that can be used to understand the suppression of the black body in a libidinal economy.
By TARSUS GENUS: The hegemonic dispute has migrated to digital control and the financialization of the State, with global actors and local elites eroding democracy in favor of private interests
By HENRY BURNETT: The courage of the tragic placed Nana in the pantheon of great artists of the world. From where she will never leave
By EMILIO CAFASSI: Pope Francis has not stripped the Church bare: he has merely reinforced its frayed hems, like someone extending the life of a worn and stained garment, incapable of sheltering the present.
By MICHAEL MOORE: The filmmaker recalls the invasion of Vietnam and the need for Americans to apologize for this genocidal war and others promoted or supported by Americans, such as the genocide against the Palestinians.
By SAMUEL KILSZTAJN: An exile never returns to his homeland. In my case, even if I wanted to, I could never return, because my homeland was extinguished, it no longer exists.
By LAZAR VASCONCELOS OLIVEIRA: Shakespeare's play Othello is a great illustration that can be used to understand the suppression of the black body in a libidinal economy.