By FLAVIO AGUIAR: All that remained were the forgotten books in Andean libraries, the words whispered against the wind of history and the glow in the eyes of a dead man that the dictatorship did not extinguish. Oscar Ferreira flew, at last — not like the sparrow
By URARIAN MOTA: The next time you meet a poet, remember: he is not a monument, but a fire. His flames do not light up halls — they burn out in the air, leaving only the smell of sulfur and honey. And when he
By EMMANUEL TODD: What is emerging in the US and Europe is not a monolithic populism, but an archipelago of national revolts — each shaped by its own traumas and collective illusions. If the 20th century was the age of
By GUSTAVO GABRIEL GARCIA: The culture industry uses dystopian narratives to promote fear and critical paralysis, suggesting that it is better to maintain the status quo than to risk change. Thus, despite global oppression, a movement has yet to emerge
By ANA CAROLINA DE BELLO BUSINARO: The hope that governability will come only through composure is an illusion that sterilizes any transformative vocation by maintaining the status quo. After all, governing in times of social tension is not about choosing between peace
By LAZAR VASCONCELOS OLIVEIRA: If the classical hero has succumbed to the spectacularization of reality, perhaps the way out is not in the search for new myths, but in the deconstruction of the very idea of heroism. After all, in a world where politics dissolves
By FLAVIO AGUIAR: All that remained were the forgotten books in Andean libraries, the words whispered against the wind of history and the glow in the eyes of a dead man that the dictatorship did not extinguish. Oscar Ferreira flew, at last — not like the sparrow
By URARIAN MOTA: The next time you meet a poet, remember: he is not a monument, but a fire. His flames do not light up halls — they burn out in the air, leaving only the smell of sulfur and honey. And when he
By EMMANUEL TODD: What is emerging in the US and Europe is not a monolithic populism, but an archipelago of national revolts — each shaped by its own traumas and collective illusions. If the 20th century was the age of
By GUSTAVO GABRIEL GARCIA: The culture industry uses dystopian narratives to promote fear and critical paralysis, suggesting that it is better to maintain the status quo than to risk change. Thus, despite global oppression, a movement has yet to emerge
By ANA CAROLINA DE BELLO BUSINARO: The hope that governability will come only through composure is an illusion that sterilizes any transformative vocation by maintaining the status quo. After all, governing in times of social tension is not about choosing between peace
By LAZAR VASCONCELOS OLIVEIRA: If the classical hero has succumbed to the spectacularization of reality, perhaps the way out is not in the search for new myths, but in the deconstruction of the very idea of heroism. After all, in a world where politics dissolves