Narcissists everywhere?
By ANSELM JAPPE: The narcissist is much more than a fool smiling at himself in the mirror: he is a central figure of our time.
05/01/2025
By ANSELM JAPPE: The narcissist is much more than a fool smiling at himself in the mirror: he is a central figure of our time.
By SAMUEL JORGE MOYSÉS: Considerations on the life and work of Dalton Trevisan
By ERIK CHICONELLI GOMES: The work of the British historian represents a true methodological revolution in the social sciences
By TODD MCGOWAN: The enjoyment of emancipation occurs through the confrontation of the limit, which is internal rather than external, through the confrontation of one's own restriction, rather than that imposed as something external.
By ARACY PS BALBANI: The growth of military tensions and the association of Nazi-fascism with organized crime around the world makes it crucial for Brazil to consolidate democracy and defend national sovereignty
By MANUFACTURING MARIAROSARIA: Considerations on the staging of Mario Benedetti's play
By LUIS EUSTÁQUIO SOARES: Foreword to the recently released book by Vinícius Aguiar Caloti
By MANFRED BACK: The deficit of correct economic forecasts by Focus economists is greater than the federal public debt, however, they are not held responsible for the errors and possible losses of their clients
By TARCÍSIO PERES: The panorama offered by many podcasts today is far from encouraging self-reflection; they are programs that create domes in which empty speech finds echo and applause.
By GIOVANNI MESQUITA: President, is there not a single officer in the entire Brazilian Navy who is not nostalgic for the slave empire, a cover-up for coup plotters, to put in command of this Armed Forces?
By LUIZ RENATO MARTINS: In the firing line are the cursed and unfortunate of the Earth. For these potential refugees, fate is being prepared in incubators where new forms of genocidal practices proliferate
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By MARCOS DE QUEIROZ GRILLO: Considerations on Carlos Estevam's book: Freud, Life and Work
By PETRÔNIO DOMINGUES: Clóvis Moura's work is an original record of black agency in the history of Brazil, questioning the postulates of traditional historiography and sociology.
By GILBERTO MARINGONI: Fiscal adjustment is always a state intervention in the correlation of forces in society, in favor of those at the top.
By CICERO ARAUJO: The current Lula government seems to be stuck in a kind of modified version of “Stockholm syndrome”
By GABRIELA BRUSCHINI GRECCA: Commentary on the staging directed by Frank Castorf of Thomas Bernhard's play
By DANIEL AFONSO DA SILVA: The entire year of 2024 passed without a single word from our greatest memorialist. Abandonment. Indifference. Silence. The exact opposite of the uproar of 1972.
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By ANTONIO BENTO: Every foreigner has his consul who complains about any injustice he may suffer, and the Brazilian, especially the freedman, does not find support and justice here when he asks for it.
By ANSELM JAPPE: The narcissist is much more than a fool smiling at himself in the mirror: he is a central figure of our time.
By SAMUEL JORGE MOYSÉS: Considerations on the life and work of Dalton Trevisan
By ERIK CHICONELLI GOMES: The work of the British historian represents a true methodological revolution in the social sciences
By TODD MCGOWAN: The enjoyment of emancipation occurs through the confrontation of the limit, which is internal rather than external, through the confrontation of one's own restriction, rather than that imposed as something external.
By ARACY PS BALBANI: The growth of military tensions and the association of Nazi-fascism with organized crime around the world makes it crucial for Brazil to consolidate democracy and defend national sovereignty
By MANUFACTURING MARIAROSARIA: Considerations on the staging of Mario Benedetti's play
By LUIS EUSTÁQUIO SOARES: Foreword to the recently released book by Vinícius Aguiar Caloti
By MANFRED BACK: The deficit of correct economic forecasts by Focus economists is greater than the federal public debt, however, they are not held responsible for the errors and possible losses of their clients
By TARCÍSIO PERES: The panorama offered by many podcasts today is far from encouraging self-reflection; they are programs that create domes in which empty speech finds echo and applause.
By GIOVANNI MESQUITA: President, is there not a single officer in the entire Brazilian Navy who is not nostalgic for the slave empire, a cover-up for coup plotters, to put in command of this Armed Forces?
By LUIZ RENATO MARTINS: In the firing line are the cursed and unfortunate of the Earth. For these potential refugees, fate is being prepared in incubators where new forms of genocidal practices proliferate
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By MARCOS DE QUEIROZ GRILLO: Considerations on Carlos Estevam's book: Freud, Life and Work
By PETRÔNIO DOMINGUES: Clóvis Moura's work is an original record of black agency in the history of Brazil, questioning the postulates of traditional historiography and sociology.
By GILBERTO MARINGONI: Fiscal adjustment is always a state intervention in the correlation of forces in society, in favor of those at the top.
By CICERO ARAUJO: The current Lula government seems to be stuck in a kind of modified version of “Stockholm syndrome”
By GABRIELA BRUSCHINI GRECCA: Commentary on the staging directed by Frank Castorf of Thomas Bernhard's play
By DANIEL AFONSO DA SILVA: The entire year of 2024 passed without a single word from our greatest memorialist. Abandonment. Indifference. Silence. The exact opposite of the uproar of 1972.
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By ANTONIO BENTO: Every foreigner has his consul who complains about any injustice he may suffer, and the Brazilian, especially the freedman, does not find support and justice here when he asks for it.