By JOÃO LANARI BO: Commentary on the documentary directed by Slava Leontyev & Brendan Bellomo.
By FERNANDO NOGUEIRA DA COSTA: Commentary on the book celebrating José Márcio Rego's 70th birthday (Festschrift)
By JOHN RODRIGO V. MARTINS: Artistic groups in group theater face significant challenges when trying to reconcile ethical, aesthetic and political principles when working with public notices
By HOMERO VIZEU ARAÚJO: Considerations on the book by José Falero
By PEDRO PENNYCOOK: “Leaves are scattered all over the table, while a barricade of books rubs against the wall in the background. It is a claustrophobic image.”
By FRANÇOIS-MARIE AROUET VOLTAIRE: Article collected in the recently published book, organized by Regina Schöpke & Mauro Baladi
By GIOVANNI ALVES: In the final phase of his life and work, Pasolini assumes the posture of a “corsair”, a literary pirate who relentlessly attacks the institutions, culture and values of an Italy undergoing profound transformation.
By RICARDO IANNACE: A foray into canonical plots, thanks to which the fantastic, close to reaching three centuries, becomes known and explored
By ALEXANDRE JULIETE ROSA: Considerations on the recently published book by B. Traven
By LUCIO VERCOZA: The ability of Walter Salles' cinema to penetrate the rickety threads of public debate in Brazil – or of published opinion
By FRANCISCO FOOT HARDMAN: Commentary on the documentary, currently showing in cinemas, directed by Basel Adra & Yuval Abraham
By LUIS FERNANDO NOVOA GARZON: Bacurau is a version captured by Kleber Mendonça in his transversal and reverse reading of Brazil.
By DANIEL COSTA*: The characters of Vai-Vai are a synthesis of the Bixiga neighborhood, especially the part of the neighborhood that continues to resist the attacks that try to decharacterize the traditional region of São Paulo.
By JOTABÊ MEDEIROS: Commentary on the film, currently showing in theaters, by James Mangold.
By JOÃO LANARI BO: Commentary on the documentary directed by Slava Leontyev & Brendan Bellomo.
By FERNANDO NOGUEIRA DA COSTA: Commentary on the book celebrating José Márcio Rego's 70th birthday (Festschrift)
By JOHN RODRIGO V. MARTINS: Artistic groups in group theater face significant challenges when trying to reconcile ethical, aesthetic and political principles when working with public notices
By HOMERO VIZEU ARAÚJO: Considerations on the book by José Falero
By PEDRO PENNYCOOK: “Leaves are scattered all over the table, while a barricade of books rubs against the wall in the background. It is a claustrophobic image.”
By FRANÇOIS-MARIE AROUET VOLTAIRE: Article collected in the recently published book, organized by Regina Schöpke & Mauro Baladi
By GIOVANNI ALVES: In the final phase of his life and work, Pasolini assumes the posture of a “corsair”, a literary pirate who relentlessly attacks the institutions, culture and values of an Italy undergoing profound transformation.
By RICARDO IANNACE: A foray into canonical plots, thanks to which the fantastic, close to reaching three centuries, becomes known and explored
By ALEXANDRE JULIETE ROSA: Considerations on the recently published book by B. Traven
By LUCIO VERCOZA: The ability of Walter Salles' cinema to penetrate the rickety threads of public debate in Brazil – or of published opinion
By FRANCISCO FOOT HARDMAN: Commentary on the documentary, currently showing in cinemas, directed by Basel Adra & Yuval Abraham
By LUIS FERNANDO NOVOA GARZON: Bacurau is a version captured by Kleber Mendonça in his transversal and reverse reading of Brazil.
By DANIEL COSTA*: The characters of Vai-Vai are a synthesis of the Bixiga neighborhood, especially the part of the neighborhood that continues to resist the attacks that try to decharacterize the traditional region of São Paulo.
By JOTABÊ MEDEIROS: Commentary on the film, currently showing in theaters, by James Mangold.
