The second circle — center and periphery in times of war
By ANDRÉ SINGER, BERNARDO RICUPERO, CICERO ARAUJO & FERNANDO RUGITSKY: Introduction by the organizers to the recently released book
09/10/2024
By ANDRÉ SINGER, BERNARDO RICUPERO, CICERO ARAUJO & FERNANDO RUGITSKY: Introduction by the organizers to the recently released book
By MICHEL GOULART DA SILVA: Realistic or abstract, surrealist or concrete, subjective or descriptive, for Leon Trotsky and André Breton there was no aesthetic limit to art that placed itself alongside the revolution.
By RAFAEL VALLES: Commentary on the film directed by Eduardo Escorel
By SLAVOJ ŽIŽEK: Jameson was the ultimate Western Marxist, who fearlessly traversed the defining opposites of our ideological space
By GUILHERME RODRIGUES: Considerations on the poetry of Carlos Drummond de Andrade
By SERAPHIM PIETROFORTE: Leila's verses are sharp and punctual replicas, strong enough to resignify the fluent order of things and of poetry itself.
By MARIO LUIS GRANGEIA: Commentary on the recently released book by Malu AC Gatto and Débora Thomé
By RAFAEL PADIAL: Considerations on Ricardo Musse's book
By TERRY EAGLETON: Fredric Jameson was arguably the greatest cultural critic of his time.
By MARCOS SISCAR: In honor of the poet who passed away yesterday, we are republishing the review of his book “Lar,”
By MARCOS FALCHERO FALLEIROS: Author's preface to the recently published book
By THOMAS AMORIM: As Walter Benjamin realized, the dead remain interested in building a better future and Fredric Jameson also remains and will continue to be with us
By WELLINGTON MEDEIROS DE ARAÚJO: Commentary on Ken Loach's film
By EDUARDO SINKEVISQUE: Commentary on Deise Abreu Pacheco's debut novel
By RICARDO IANNACE: Comments on the bestiary in Kafka
By GILLIAN ROSE: Considerations on the book by Max Horkheimer and Theodor Adorno
By DANIEL BRAZIL: Commentary on the recently released book by Francesc Escribano.
By LUCAS FIASCHETTI ESTEVEZ: The dialectical and immanent critique of culture undertaken by Theodor Adorno enables us to think about the irresolute insertion of culture in our time
By ANDRÉ SINGER, BERNARDO RICUPERO, CICERO ARAUJO & FERNANDO RUGITSKY: Introduction by the organizers to the recently released book
By MICHEL GOULART DA SILVA: Realistic or abstract, surrealist or concrete, subjective or descriptive, for Leon Trotsky and André Breton there was no aesthetic limit to art that placed itself alongside the revolution.
By RAFAEL VALLES: Commentary on the film directed by Eduardo Escorel
By SLAVOJ ŽIŽEK: Jameson was the ultimate Western Marxist, who fearlessly traversed the defining opposites of our ideological space
By GUILHERME RODRIGUES: Considerations on the poetry of Carlos Drummond de Andrade
By SERAPHIM PIETROFORTE: Leila's verses are sharp and punctual replicas, strong enough to resignify the fluent order of things and of poetry itself.
By MARIO LUIS GRANGEIA: Commentary on the recently released book by Malu AC Gatto and Débora Thomé
By RAFAEL PADIAL: Considerations on Ricardo Musse's book
By TERRY EAGLETON: Fredric Jameson was arguably the greatest cultural critic of his time.
By MARCOS SISCAR: In honor of the poet who passed away yesterday, we are republishing the review of his book “Lar,”
By MARCOS FALCHERO FALLEIROS: Author's preface to the recently published book
By THOMAS AMORIM: As Walter Benjamin realized, the dead remain interested in building a better future and Fredric Jameson also remains and will continue to be with us
By WELLINGTON MEDEIROS DE ARAÚJO: Commentary on Ken Loach's film
By EDUARDO SINKEVISQUE: Commentary on Deise Abreu Pacheco's debut novel
By RICARDO IANNACE: Comments on the bestiary in Kafka
By GILLIAN ROSE: Considerations on the book by Max Horkheimer and Theodor Adorno
By DANIEL BRAZIL: Commentary on the recently released book by Francesc Escribano.
By LUCAS FIASCHETTI ESTEVEZ: The dialectical and immanent critique of culture undertaken by Theodor Adorno enables us to think about the irresolute insertion of culture in our time
