Wave vibration
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
01/03/2025
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
By RODRIGO BASTOS: Every deconstruction of thought requires a deep understanding of the historical process that generated its object of attention.
By VIEGAS FERNANDES DA COSTA: Hija de Perra's gaze scrutinized the coloniality of knowledge about new gender debates, centered on the Global North
By WALNICE NOGUEIRA GALVÃO: A look at the most memorable celebrations of January 25th
By OSWALD DE ANDRADE:
Unpublished article collected in the recently released book “1923: Brazilian modernists in Paris”.
By EDILSON CREAM: A retrospective on the occasion of the centenary of the First Manifesto of Surrealism
By FLAVIO R. KOTHE: One can only understand a great work by remaking the connections of its sign relationships and their meanings: a complex reading of something dense
By CELSO FAVARETTO & PAULA BRAGA: Excerpt, selected by the authors, from the recently released book
By LUIZ RENATO MARTINS: The notion of objective form was directly linked to reflective historical judgment, integrating the set of critical responses to the new cycle of capitalist modernization in Brazil
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By JOSÉ TAVARES CORREIA DE LIRA: The granting of a posthumous honorary diploma to a former student of the Faculty of Architecture and Urbanism at USP
By MARCO BUTI: The artistic world highly values the notion of “art”, although the words “research”, “inquiry” and “investigation”, which seem to be more prestigious and contemporary, are increasingly used
By SAMUEL KILSZTAJN:
Van Gogh used to literally describe his paintings in detail, abusing the adjectives of the colors, both before painting them and after they were finished.
By ANNATERESA FABRIS:
Just like photographers attentive to the spectacle of everyday life, the writer demonstrates the ability to deal with aspects of mass civilization in a detached but no less critical way.
By LISY-MARTA HELOÍSA LEUBA SALUM & RENATO ARAÚJO DA SILVA: Introduction by the authors to the recently published book
By LUIZ RENATO MARTINS: The treatment of the issue of space, in the visual scope of modern Brazilian culture, brings together the works of Tarsila do Amaral, Lúcio Costa, Oscar Niemeyer and Roberto Burle Marx
By DÉBORA MAZZA & AFRÂNIO CATANI: Considerations about the Czech photographer’s exhibition, on display in São Paulo
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
By RODRIGO BASTOS: Every deconstruction of thought requires a deep understanding of the historical process that generated its object of attention.
By VIEGAS FERNANDES DA COSTA: Hija de Perra's gaze scrutinized the coloniality of knowledge about new gender debates, centered on the Global North
By WALNICE NOGUEIRA GALVÃO: A look at the most memorable celebrations of January 25th
By OSWALD DE ANDRADE:
Unpublished article collected in the recently released book “1923: Brazilian modernists in Paris”.
By EDILSON CREAM: A retrospective on the occasion of the centenary of the First Manifesto of Surrealism
By FLAVIO R. KOTHE: One can only understand a great work by remaking the connections of its sign relationships and their meanings: a complex reading of something dense
By CELSO FAVARETTO & PAULA BRAGA: Excerpt, selected by the authors, from the recently released book
By LUIZ RENATO MARTINS: The notion of objective form was directly linked to reflective historical judgment, integrating the set of critical responses to the new cycle of capitalist modernization in Brazil
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By JOSÉ TAVARES CORREIA DE LIRA: The granting of a posthumous honorary diploma to a former student of the Faculty of Architecture and Urbanism at USP
By MARCO BUTI: The artistic world highly values the notion of “art”, although the words “research”, “inquiry” and “investigation”, which seem to be more prestigious and contemporary, are increasingly used
By SAMUEL KILSZTAJN:
Van Gogh used to literally describe his paintings in detail, abusing the adjectives of the colors, both before painting them and after they were finished.
By ANNATERESA FABRIS:
Just like photographers attentive to the spectacle of everyday life, the writer demonstrates the ability to deal with aspects of mass civilization in a detached but no less critical way.
By LISY-MARTA HELOÍSA LEUBA SALUM & RENATO ARAÚJO DA SILVA: Introduction by the authors to the recently published book
By LUIZ RENATO MARTINS: The treatment of the issue of space, in the visual scope of modern Brazilian culture, brings together the works of Tarsila do Amaral, Lúcio Costa, Oscar Niemeyer and Roberto Burle Marx
By DÉBORA MAZZA & AFRÂNIO CATANI: Considerations about the Czech photographer’s exhibition, on display in São Paulo
