
Black Box Diaries
By JOÃO LANARI BO: Commentary on the documentary directed by Shiori Ito
By JOÃO LANARI BO: Commentary on the documentary directed by Shiori Ito
By MICHEL GOULART DA SILVA: The 2004 “Festival Latinoamericano de la Clase Obrera (Felco), held in Buenos Aires, showed films from various social struggles in Latin America and promoted debates on political and audiovisual issues
By LARA FERREIRA LORENZONI & MARCELO SIANO LIMA: Betting, gambling, is what we have left in an increasingly platformized and financialized capitalism
By JOÃO LANARI BO: Commentary on the film directed by Edward Berger, currently showing in theaters
By GASPAR PEACE: Foreword to the recently released book by André Queiroz
By VLADIMIR SAFATLE: Considerations on the work of the recently deceased filmmaker
By BRUNO FABRICIO ALCEBINO DA SILVA: Considerations on Ariano Suassuna's play and the films based on this work
By JOÃO DOS REIS SILVA JUNIOR: The human being reveals himself to be objectified and prone to destroying what was achieved by the human being, to perpetuate the destruction
By IVANA BENTES: The humanism of I'm Still Here is a relief, but how can we restore a frayed social fabric when extremists have taken up residence in the dining room and in the normative family itself?
By ANA LUIZA SARAMAGO STERN: The brutality of Rubens Paiva's disappearance is a message that anyone can be a Rubens Paiva in a regime of violence
By ISAÍAS ALBERTIN DE MORAES: Considerations on the film directed by Walter Salles
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By LINA CHAMIE: Commentary on the film directed by Eduardo Escorel
By RODRIGO DE ABREU PINTO: Commentary on the film directed by Walter Salles.
By MANUFACTURING MARIAROSARIA:
More than a novel, Petrolio was supposed to be a mixture of graphic, figurative, photographic elements, etc., although only the narrative part reached the public.
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen
By JOÃO LANARI BO: Commentary on the documentary directed by Shiori Ito
By MICHEL GOULART DA SILVA: The 2004 “Festival Latinoamericano de la Clase Obrera (Felco), held in Buenos Aires, showed films from various social struggles in Latin America and promoted debates on political and audiovisual issues
By LARA FERREIRA LORENZONI & MARCELO SIANO LIMA: Betting, gambling, is what we have left in an increasingly platformized and financialized capitalism
By JOÃO LANARI BO: Commentary on the film directed by Edward Berger, currently showing in theaters
By GASPAR PEACE: Foreword to the recently released book by André Queiroz
By VLADIMIR SAFATLE: Considerations on the work of the recently deceased filmmaker
By BRUNO FABRICIO ALCEBINO DA SILVA: Considerations on Ariano Suassuna's play and the films based on this work
By JOÃO DOS REIS SILVA JUNIOR: The human being reveals himself to be objectified and prone to destroying what was achieved by the human being, to perpetuate the destruction
By IVANA BENTES: The humanism of I'm Still Here is a relief, but how can we restore a frayed social fabric when extremists have taken up residence in the dining room and in the normative family itself?
By ANA LUIZA SARAMAGO STERN: The brutality of Rubens Paiva's disappearance is a message that anyone can be a Rubens Paiva in a regime of violence
By ISAÍAS ALBERTIN DE MORAES: Considerations on the film directed by Walter Salles
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By LINA CHAMIE: Commentary on the film directed by Eduardo Escorel
By RODRIGO DE ABREU PINTO: Commentary on the film directed by Walter Salles.
By MANUFACTURING MARIAROSARIA:
More than a novel, Petrolio was supposed to be a mixture of graphic, figurative, photographic elements, etc., although only the narrative part reached the public.
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen