Los Angeles on fire
By JOÃO DOS REIS SILVA JUNIOR: The human being reveals himself to be objectified and prone to destroying what was achieved by the human being, to perpetuate the destruction
18/01/2025
By JOÃO DOS REIS SILVA JUNIOR: The human being reveals himself to be objectified and prone to destroying what was achieved by the human being, to perpetuate the destruction
By IVANA BENTES: The humanism of I'm Still Here is a relief, but how can we restore a frayed social fabric when extremists have taken up residence in the dining room and in the normative family itself?
By ANA LUIZA SARAMAGO STERN: The brutality of Rubens Paiva's disappearance is a message that anyone can be a Rubens Paiva in a regime of violence
By ISAÍAS ALBERTIN DE MORAES: Considerations on the film directed by Walter Salles
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By LINA CHAMIE: Commentary on the film directed by Eduardo Escorel
By RODRIGO DE ABREU PINTO: Commentary on the film directed by Walter Salles.
By MANUFACTURING MARIAROSARIA:
More than a novel, Petrolio was supposed to be a mixture of graphic, figurative, photographic elements, etc., although only the narrative part reached the public.
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen
By JULIO CESAR TELES: It is not just a film that knew how to use visual resources, period sources or portray a traumatic moment in Brazilian history; it is a necessary film, which assumes the function of memory and resistance.
By TODD MCGOWAN: Both Donald Trump and Kane built financial empires in the media industry and from there sought political office while conducting themselves with grandiloquence and arrogance.
By SILVANE ORTIZ: The impact of neoliberalism on the subjectivity of the worker, through the lens of Ken Loach
By ROBERTO NORITOMI: Thoughts on the film directed by Jia Jia Zhangke
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The controversy surrounding Joker (2019) was more an attempt to depoliticize a scathing critique of social inequalities than a genuine response to the film's content
By VINICIUS MADUREIRA MAIA: Comments on the more than seventy notebooks made by Antonio Candido
By JOÃO DOS REIS SILVA JUNIOR: The human being reveals himself to be objectified and prone to destroying what was achieved by the human being, to perpetuate the destruction
By IVANA BENTES: The humanism of I'm Still Here is a relief, but how can we restore a frayed social fabric when extremists have taken up residence in the dining room and in the normative family itself?
By ANA LUIZA SARAMAGO STERN: The brutality of Rubens Paiva's disappearance is a message that anyone can be a Rubens Paiva in a regime of violence
By ISAÍAS ALBERTIN DE MORAES: Considerations on the film directed by Walter Salles
By JOSÉ CASTILHO MARQUES NETO: Considerations on the film directed by Pedro Almodóvar
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By LINA CHAMIE: Commentary on the film directed by Eduardo Escorel
By RODRIGO DE ABREU PINTO: Commentary on the film directed by Walter Salles.
By MANUFACTURING MARIAROSARIA:
More than a novel, Petrolio was supposed to be a mixture of graphic, figurative, photographic elements, etc., although only the narrative part reached the public.
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen
By JULIO CESAR TELES: It is not just a film that knew how to use visual resources, period sources or portray a traumatic moment in Brazilian history; it is a necessary film, which assumes the function of memory and resistance.
By TODD MCGOWAN: Both Donald Trump and Kane built financial empires in the media industry and from there sought political office while conducting themselves with grandiloquence and arrogance.
By SILVANE ORTIZ: The impact of neoliberalism on the subjectivity of the worker, through the lens of Ken Loach
By ROBERTO NORITOMI: Thoughts on the film directed by Jia Jia Zhangke
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The controversy surrounding Joker (2019) was more an attempt to depoliticize a scathing critique of social inequalities than a genuine response to the film's content
By VINICIUS MADUREIRA MAIA: Comments on the more than seventy notebooks made by Antonio Candido
