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By JOSÉ GERALDO COUTO: Commentary on the recently released posthumous book by Carlos Drummond de Andrade
15/11/2024
By JOSÉ GERALDO COUTO: Commentary on the recently released posthumous book by Carlos Drummond de Andrade
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By VITOR MORAIS GRAZIANI: Commentary on the show conceived by Nuno Ramos and Eduardo Climachauska
By RICARDO EVANDRO S. MARTINS: Commentary on the film directed by Walter Salles
By MICHEL GOULART DA SILVA: Cinema is an art that has an industrial base, whose production and distribution development is associated with international economic dynamics and its expansion through capitalist relations.
By ERIK CHICONELLI GOMES: Commentary on the film directed by Walter Salles
By SHEILA SCHVARZMAN: Considerations on the two films, landmarks of recent black protagonism
By JOÃO LANARI BO: Commentary on Jamie Roberts' documentary “Four hours at the Capitol”
By WALNICE NOGUEIRA GALVÃO:
Over time, the series replaced the couple with two women, giving way to sisterhood, sometimes full of very funny barbs and sharp jabs.
By LEDA TENÓRIO DA MOTTA: Incomprehension covers the very speech of the guerrillas, not always translated, so that the words do not jump out in front of what is seen
By MARIAROSARIA FABRIS: Comments on the early career of the Italian filmmaker
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By RAFAEL VALLES: Commentary on the film directed by Eduardo Escorel
By JORGE BARCELLOS: It is not enough for the left to simply deconstruct its opponent's speech in elections: it is necessary to take the battle to the symbolic field as well
By WELLINGTON MEDEIROS DE ARAÚJO: Commentary on Ken Loach's film
By MANUFACTURING MARIAROSARIA: Notes on Paola Cortellesi's debut film
By YVES SÃO PAULO: Excerpt from the preface of the recently published collection of writings by the filmmaker from Bahia
By ERIK CHICONELLI GOMES: The filmmaker who managed to capture the essence of the working class with authenticity and compassion
By JOSÉ GERALDO COUTO: Commentary on the recently released posthumous book by Carlos Drummond de Andrade
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By VITOR MORAIS GRAZIANI: Commentary on the show conceived by Nuno Ramos and Eduardo Climachauska
By RICARDO EVANDRO S. MARTINS: Commentary on the film directed by Walter Salles
By MICHEL GOULART DA SILVA: Cinema is an art that has an industrial base, whose production and distribution development is associated with international economic dynamics and its expansion through capitalist relations.
By ERIK CHICONELLI GOMES: Commentary on the film directed by Walter Salles
By SHEILA SCHVARZMAN: Considerations on the two films, landmarks of recent black protagonism
By JOÃO LANARI BO: Commentary on Jamie Roberts' documentary “Four hours at the Capitol”
By WALNICE NOGUEIRA GALVÃO:
Over time, the series replaced the couple with two women, giving way to sisterhood, sometimes full of very funny barbs and sharp jabs.
By LEDA TENÓRIO DA MOTTA: Incomprehension covers the very speech of the guerrillas, not always translated, so that the words do not jump out in front of what is seen
By MARIAROSARIA FABRIS: Comments on the early career of the Italian filmmaker
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By RAFAEL VALLES: Commentary on the film directed by Eduardo Escorel
By JORGE BARCELLOS: It is not enough for the left to simply deconstruct its opponent's speech in elections: it is necessary to take the battle to the symbolic field as well
By WELLINGTON MEDEIROS DE ARAÚJO: Commentary on Ken Loach's film
By MANUFACTURING MARIAROSARIA: Notes on Paola Cortellesi's debut film
By YVES SÃO PAULO: Excerpt from the preface of the recently published collection of writings by the filmmaker from Bahia
By ERIK CHICONELLI GOMES: The filmmaker who managed to capture the essence of the working class with authenticity and compassion
