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By JOSÉ MANUEL DE SACADURA ROCHA: Considerations on the new configurations of the organic composition of capital
11/11/2024
By JOSÉ MANUEL DE SACADURA ROCHA: Considerations on the new configurations of the organic composition of capital
By JOÃO QUARTIM DE MORAES: Excerpt from the recently released book
By MAURÍCIO VIEIRA MARTINS: Commentary on the recently released book by Luis Felipe Miguel
By LINCOLN SECCO & GIOVANNI SEMERARO: Commentary on the complete online translation of Antonio Gramsci's book
By KOHEI SAITO: Author's Introduction and Conclusion of the newly published book
By JEANNE MARIE GAGNEBIN: How can Franz Kafka's texts, which are often interpreted as expressions of absurdity or despair, instead be read by Walter Benjamin as figures of hope [espoir]?
By ELEUTÉRIO FS PRADO: The primary form continues to be industrial profit, which confirms that capitalism is still capitalism
By SAMIR GANDESHA: The standardization that lies at the heart of the culture industry harmonizes perfectly with a key attribute of authoritarian personalities, namely: “stereotypy” and “childish desire for endless and unchanging repetition”
By LUIZ BERNARDO PERICÁS: Caio Prado Júnior's book about the USSR is a hybrid, which mixes testimonies with a broader and more direct description of the social and economic aspects of that country
By ERIK CHICONELLI GOMES: Considerations on the impact of Harvey J. Kaye's book on Brazilian historiography
By SAMIR GANDESHA: Everything that is not well assimilated, or infringes the commands on which the progress of centuries has been sedimented, is felt as intrusive and awakens a compulsive aversion
By MICHEL GOULART DA SILVA: Realistic or abstract, surrealist or concrete, subjective or descriptive, for Leon Trotsky and André Breton there was no aesthetic limit to art that placed itself alongside the revolution.
By SLAVOJ ŽIŽEK: Jameson was the ultimate Western Marxist, who fearlessly traversed the defining opposites of our ideological space
By RAFAEL PADIAL: Considerations on Ricardo Musse's book
By TERRY EAGLETON: Fredric Jameson was arguably the greatest cultural critic of his time.
By ELEUTÉRIO FS PRADO: Civilization finally appears as barbarism and humanity seems to be heading towards extinction
By THOMAS AMORIM: As Walter Benjamin realized, the dead remain interested in building a better future and Fredric Jameson also remains and will continue to be with us
By RONALDO TADEU DE SOUZA: Lenin and Trotsky and the concepts of unstable equilibrium and united front
By GILLIAN ROSE: Considerations on the book by Max Horkheimer and Theodor Adorno
By JOSÉ MANUEL DE SACADURA ROCHA: Considerations on the new configurations of the organic composition of capital
By JOÃO QUARTIM DE MORAES: Excerpt from the recently released book
By MAURÍCIO VIEIRA MARTINS: Commentary on the recently released book by Luis Felipe Miguel
By LINCOLN SECCO & GIOVANNI SEMERARO: Commentary on the complete online translation of Antonio Gramsci's book
By KOHEI SAITO: Author's Introduction and Conclusion of the newly published book
By JEANNE MARIE GAGNEBIN: How can Franz Kafka's texts, which are often interpreted as expressions of absurdity or despair, instead be read by Walter Benjamin as figures of hope [espoir]?
By ELEUTÉRIO FS PRADO: The primary form continues to be industrial profit, which confirms that capitalism is still capitalism
By SAMIR GANDESHA: The standardization that lies at the heart of the culture industry harmonizes perfectly with a key attribute of authoritarian personalities, namely: “stereotypy” and “childish desire for endless and unchanging repetition”
By LUIZ BERNARDO PERICÁS: Caio Prado Júnior's book about the USSR is a hybrid, which mixes testimonies with a broader and more direct description of the social and economic aspects of that country
By ERIK CHICONELLI GOMES: Considerations on the impact of Harvey J. Kaye's book on Brazilian historiography
By SAMIR GANDESHA: Everything that is not well assimilated, or infringes the commands on which the progress of centuries has been sedimented, is felt as intrusive and awakens a compulsive aversion
By MICHEL GOULART DA SILVA: Realistic or abstract, surrealist or concrete, subjective or descriptive, for Leon Trotsky and André Breton there was no aesthetic limit to art that placed itself alongside the revolution.
By SLAVOJ ŽIŽEK: Jameson was the ultimate Western Marxist, who fearlessly traversed the defining opposites of our ideological space
By RAFAEL PADIAL: Considerations on Ricardo Musse's book
By TERRY EAGLETON: Fredric Jameson was arguably the greatest cultural critic of his time.
By ELEUTÉRIO FS PRADO: Civilization finally appears as barbarism and humanity seems to be heading towards extinction
By THOMAS AMORIM: As Walter Benjamin realized, the dead remain interested in building a better future and Fredric Jameson also remains and will continue to be with us
By RONALDO TADEU DE SOUZA: Lenin and Trotsky and the concepts of unstable equilibrium and united front
By GILLIAN ROSE: Considerations on the book by Max Horkheimer and Theodor Adorno
