Grunge distortions
By HELCIO HERBERT NETO: The helplessness of life in Seattle ran counter to the yuppies of Wall Street. And the disillusionment was not an empty performance.
20/03/2025
By HELCIO HERBERT NETO: The helplessness of life in Seattle ran counter to the yuppies of Wall Street. And the disillusionment was not an empty performance.
By LICIO MONTEIRO: There on the avenue, Beija Flor created a moment to finally say goodbye to Laíla in a dignified way and with the gratitude she deserved. While the other schools were telling a story, Beija Flor was parading the
By DANIEL COSTA*: The characters of Vai-Vai are a synthesis of the Bixiga neighborhood, especially the part of the neighborhood that continues to resist the attacks that try to decharacterize the traditional region of São Paulo.
By JOTABÊ MEDEIROS: Commentary on the film, currently showing in theaters, by James Mangold.
By HOMERO VIZEU ARAÚJO & PEDRO BAUMBACH MANICA: Considerations on City of God, Surviving in Hell and Tropical Truth
By WALNICE NOGUEIRA GALVÃO: A look at the most memorable celebrations of January 25th
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By OSWALD DE ANDRADE:
Unpublished article collected in the recently released book “1923: Brazilian modernists in Paris”.
By HELCIO HERBERT NETO: 1974 album, in partnership with Arnaud Rodrigues, is not limited to satire, but associates traits of popular culture such as football, music and irony with politics
By DANIEL COSTA: Nei Lopes and Leonardo Bruno tell in a non-linear way the story of an association that for more than seventy years has proven that it is neither better nor worse than its sisters, it is just a different school
By RUBENS RUSSOMANNO RICCIARDI: Redress to a worthy concertmaster, unfairly dismissed from the Goiás Philharmonic Orchestra
By OSNAN SILVA DE SOUZA: Black consciousness repudiates May 13th, because of May 14th, that is, the post-Abolition and its developments in our days
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By VITOR MORAIS GRAZIANI: Commentary on the show conceived by Nuno Ramos and Eduardo Climachauska
By AMANDA DE ALMEIDA ROMÃO: The poems and songs, especially in the voices of Marina Lima and Adriana Calcanhotto, will continue as proof of the persistence of their memory in all of us.
By ANDRÉ CASTRO: Caetano seems to see that there is something deeper in the evangelical religious experience than the image of being “bridled” by domineering and malicious pastors
By EUGÊNIO BUCCI: Antonio Cicero, who lived in Rio de Janeiro, took his last breath in Zurich. And what about those who don't have the money to cross the Atlantic and pay for services?
By ANDRÉ RICARDO DIAS: In his farewell letter: life at hand; in an embrace, a country
By GUILHERME RODRIGUES: The struggle of Belchior's hoarse voice against the melodic order of the other instruments brings a spirit of the artist's “Wild Heart”
By RICARDO EVANDRO S. MARTINS: Considerations on the biopolitical issue of assisted death
By HELCIO HERBERT NETO: The helplessness of life in Seattle ran counter to the yuppies of Wall Street. And the disillusionment was not an empty performance.
By LICIO MONTEIRO: There on the avenue, Beija Flor created a moment to finally say goodbye to Laíla in a dignified way and with the gratitude she deserved. While the other schools were telling a story, Beija Flor was parading the
By DANIEL COSTA*: The characters of Vai-Vai are a synthesis of the Bixiga neighborhood, especially the part of the neighborhood that continues to resist the attacks that try to decharacterize the traditional region of São Paulo.
By JOTABÊ MEDEIROS: Commentary on the film, currently showing in theaters, by James Mangold.
By HOMERO VIZEU ARAÚJO & PEDRO BAUMBACH MANICA: Considerations on City of God, Surviving in Hell and Tropical Truth
By WALNICE NOGUEIRA GALVÃO: A look at the most memorable celebrations of January 25th
By RUBENS RUSSOMANNO RICCIARDI: The genres of the culture industry are not popular art and function as a colonization fetish as an ideology of domination
By OSWALD DE ANDRADE:
Unpublished article collected in the recently released book “1923: Brazilian modernists in Paris”.
By HELCIO HERBERT NETO: 1974 album, in partnership with Arnaud Rodrigues, is not limited to satire, but associates traits of popular culture such as football, music and irony with politics
By DANIEL COSTA: Nei Lopes and Leonardo Bruno tell in a non-linear way the story of an association that for more than seventy years has proven that it is neither better nor worse than its sisters, it is just a different school
By RUBENS RUSSOMANNO RICCIARDI: Redress to a worthy concertmaster, unfairly dismissed from the Goiás Philharmonic Orchestra
By OSNAN SILVA DE SOUZA: Black consciousness repudiates May 13th, because of May 14th, that is, the post-Abolition and its developments in our days
By WALNICE NOGUEIRA GALVÃO: The memorable strategies of artists to circumvent the Brazilian military dictatorship
By VITOR MORAIS GRAZIANI: Commentary on the show conceived by Nuno Ramos and Eduardo Climachauska
By AMANDA DE ALMEIDA ROMÃO: The poems and songs, especially in the voices of Marina Lima and Adriana Calcanhotto, will continue as proof of the persistence of their memory in all of us.
By ANDRÉ CASTRO: Caetano seems to see that there is something deeper in the evangelical religious experience than the image of being “bridled” by domineering and malicious pastors
By EUGÊNIO BUCCI: Antonio Cicero, who lived in Rio de Janeiro, took his last breath in Zurich. And what about those who don't have the money to cross the Atlantic and pay for services?
By ANDRÉ RICARDO DIAS: In his farewell letter: life at hand; in an embrace, a country
By GUILHERME RODRIGUES: The struggle of Belchior's hoarse voice against the melodic order of the other instruments brings a spirit of the artist's “Wild Heart”
By RICARDO EVANDRO S. MARTINS: Considerations on the biopolitical issue of assisted death