
The illiterate
By AFRANIO CATANI: Commentary on Ágota Kristof's book
By AFRANIO CATANI: Commentary on the book by Pierre Bourdieu and Alain Darbel
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By DÉBORA MAZZA & AFRÂNIO CATANI: Considerations about the Czech photographer’s exhibition, on display in São Paulo
By AFRANIO CATANI: Analysis of the trajectories of Vinicius de Moraes, BJ Duarte, Octavio Ianni, Florestan Fernandes and Pierre Bourdieu
By AFRANIO CATANI: Commentary on Pierre Carles' film about the French sociologist Pierre Bourdieu
By AFRANIO CATANI: Commentary on Manuel Alegre's political and literary memories
By AFRANIO CATANI: Commentary on the book “Walking on Ice”, by Werner Herzog
By AFRANIO CATANI: Commentary on the book “Perros del diablo”, by Letícia Núñez Almeida
By AFRANIO CATANI: Comment on Lígia Scalise's interview with the artist from Paraná
By AFRANIO CATANI: Commentary on the book “Hélio Rubens: the trajectory of a winner in the game of life”, by Hélio Rubens and Igor Ramos
By AFRANIO CATANI: Commentary on the book by Pierre Bourdieu and Alain Darbel
By AFRÂNIO CATANI: Commentary on industrial cinema in São Paulo in the 1950s
By DÉBORA MAZZA & AFRÂNIO CATANI: Considerations about the Czech photographer’s exhibition, on display in São Paulo
By AFRANIO CATANI: Analysis of the trajectories of Vinicius de Moraes, BJ Duarte, Octavio Ianni, Florestan Fernandes and Pierre Bourdieu
By AFRANIO CATANI: Commentary on Pierre Carles' film about the French sociologist Pierre Bourdieu
By AFRANIO CATANI: Commentary on Manuel Alegre's political and literary memories
By AFRANIO CATANI: Commentary on the book “Walking on Ice”, by Werner Herzog
By AFRANIO CATANI: Commentary on the book “Perros del diablo”, by Letícia Núñez Almeida
By AFRANIO CATANI: Comment on Lígia Scalise's interview with the artist from Paraná
By AFRANIO CATANI: Commentary on the book “Hélio Rubens: the trajectory of a winner in the game of life”, by Hélio Rubens and Igor Ramos