Still contemporary art
By CELSO FAVARETTO: Excerpt, selected by the author, from the recently published book.
29/10/2023
By CELSO FAVARETTO: Excerpt, selected by the author, from the recently published book.
By CELSO FAVARETTO:
Commentary on the books “Colosso” and “O Homem que Vive”
By CELSO FAVARETTO:
Homage to the recently deceased professor, writer, curator and cultural critic
By CELSO FAVARETTO:
Commentary on the exhibition, a historical landmark for the visual arts in Brazil.
By CELSO FAVARETTO:
Commentary on the books “ Figurações Brasil Anos 1960”, by Daisy Peccinini and “Poéticas do Processo”, by Cristina Freire
By CELSO FAVARETTO: Commentary on the book by Paulo Sérgio Duarte.
By CELSO FAVARETTO: Hélio Oiticica and Lygia Clark had in common a cultural and political project of “de-aestheticization” of art
By CELSO FAVARETTO:
The construction by Brazilian critics of an image of the painter Lasar Segall
By CELSO FAVARETTO:
Commentary on the book by Maria Cecília Loschiavo dos Santos
By CELSO FAVARETTO: Commentary on the first two volumes of the “Brazilian Artists” collection by Edusp
By CELSO FAVARETTO: Commentary on the artistic trajectory of Regina Silveira
By CELSO FAVARETTO:
Commentary on the book Workers of Modernity by Maria Cecília França Lourenço
By CELSO FAVARETTO: Commentary on the book by Annateresa Fabris, a critical study of the trajectory of the Argentine artist
By CELSO FAVARETTO: Commentary on the book by Maria Cecília Loschiavo dos Santos
By CELSO FAVARETTO:
Commentary on two books by art theorist Nicolas Bourriaud
By CELSO FAVARETTO: Preface to the book Traduzir o tempo: the construction of memory in the songs of Caetano Veloso, by João Carlos Gonçalves.
Podcast:
With João Adolfo Hansen and Celso Favaretto; mediation by Ricardo Musse. The aesthetic treatment of the question in the work of Camus and in the Decameron. The aporias of the contemporary representation of the pandemic.
By CELSO FAVARETTO: Excerpt, selected by the author, from the recently published book.
By CELSO FAVARETTO:
Commentary on the books “Colosso” and “O Homem que Vive”
By CELSO FAVARETTO:
Homage to the recently deceased professor, writer, curator and cultural critic
By CELSO FAVARETTO:
Commentary on the exhibition, a historical landmark for the visual arts in Brazil.
By CELSO FAVARETTO:
Commentary on the books “ Figurações Brasil Anos 1960”, by Daisy Peccinini and “Poéticas do Processo”, by Cristina Freire
By CELSO FAVARETTO: Commentary on the book by Paulo Sérgio Duarte.
By CELSO FAVARETTO: Hélio Oiticica and Lygia Clark had in common a cultural and political project of “de-aestheticization” of art
By CELSO FAVARETTO:
The construction by Brazilian critics of an image of the painter Lasar Segall
By CELSO FAVARETTO:
Commentary on the book by Maria Cecília Loschiavo dos Santos
By CELSO FAVARETTO: Commentary on the first two volumes of the “Brazilian Artists” collection by Edusp
By CELSO FAVARETTO: Commentary on the artistic trajectory of Regina Silveira
By CELSO FAVARETTO:
Commentary on the book Workers of Modernity by Maria Cecília França Lourenço
By CELSO FAVARETTO: Commentary on the book by Annateresa Fabris, a critical study of the trajectory of the Argentine artist
By CELSO FAVARETTO: Commentary on the book by Maria Cecília Loschiavo dos Santos
By CELSO FAVARETTO:
Commentary on two books by art theorist Nicolas Bourriaud
By CELSO FAVARETTO: Preface to the book Traduzir o tempo: the construction of memory in the songs of Caetano Veloso, by João Carlos Gonçalves.
Podcast:
With João Adolfo Hansen and Celso Favaretto; mediation by Ricardo Musse. The aesthetic treatment of the question in the work of Camus and in the Decameron. The aporias of the contemporary representation of the pandemic.
