By CELSO FREDERICO: After György Lukács' adherence to Marxism, his passionate and aggressive defense of realism was met with relentless criticism of the artistic manifestations of the avant-garde
By CELSO FREDERICO: Esthetic It is a work of maturity, a safe reference for retrospectively evaluating the steps taken in Lukács's career
By CELSO FREDERICO: The understanding of art as one of the human activities is done within an ontological register, as it “deals with the aesthetic as a moment of being, of social being”
By CELSO FREDERICO: Studying the last works of György Lukács is similar to attempts to unravel Antonio Gramsci's Prison Notebooks
By CELSO FREDERICO: The great literary critic’s tense relationship with Marxism was a remarkable chapter in the history of “Western Marxism”
By CELSO FREDERICO: The changes in Williams' thinking are explained by the evolution of capitalist society and also represent responses to the criticism suffered by his first books
By CELSO FREDERICO: Williams is a materialist, but matter for him is, from the beginning, social matter full of human meanings
By CELSO FREDERICO: Preface to the recently released book, organized by José Paulo Netto
By CELSO FREDERICO:
Unlike Gramsci, Althusser encourages the “war of movement” and the need to destroy the state apparatus
By CELSO FREDERICO:
Considerations on the model of dialectical reflection proposed by the French philosopher
By CELSO FREDERICO:
The Adornian implication with jazz has as a backdrop the criticism of its mercantile character
By CELSO FREDERICO:
Adorno's unsystematically systematic thinking
By CELSO FREDERICO:
The dialectic between the universal and the particular stresses Adorno's analyzes at all times
By CELSO FREDERICO:
The Italian Marxist developed a political conception of ideology, thinking of it as the space in which men become aware of social conflicts and wage their struggles
By CELSO FREDERICO:
When leaning over Croce's work, Gramsci sought to decant ideas that would format the bases of his own conception of the world
By CELSO FREDERICO:
The philosophy of praxis seeks to move away from both vulgar materialism and idealism.
By CELSO FREDERICO:
The Italian thinker saw the dissemination of Bukharin's ideas as a danger to be fought
By CELSO FREDERICO:
The cultural policy guided by the philosophy of praxis seeks to lead the “simple” to a superior conception of life.
By CELSO FREDERICO:
Calendars don't keep time the way clocks do.
By CELSO FREDERICO:
Comment on the book “Capitalismo e reificação” by José Paulo Netto.
By CELSO FREDERICO: After György Lukács' adherence to Marxism, his passionate and aggressive defense of realism was met with relentless criticism of the artistic manifestations of the avant-garde
By CELSO FREDERICO: Esthetic It is a work of maturity, a safe reference for retrospectively evaluating the steps taken in Lukács's career
By CELSO FREDERICO: The understanding of art as one of the human activities is done within an ontological register, as it “deals with the aesthetic as a moment of being, of social being”
By CELSO FREDERICO: Studying the last works of György Lukács is similar to attempts to unravel Antonio Gramsci's Prison Notebooks
By CELSO FREDERICO: The great literary critic’s tense relationship with Marxism was a remarkable chapter in the history of “Western Marxism”
By CELSO FREDERICO: The changes in Williams' thinking are explained by the evolution of capitalist society and also represent responses to the criticism suffered by his first books
By CELSO FREDERICO: Williams is a materialist, but matter for him is, from the beginning, social matter full of human meanings
By CELSO FREDERICO: Preface to the recently released book, organized by José Paulo Netto
By CELSO FREDERICO:
Unlike Gramsci, Althusser encourages the “war of movement” and the need to destroy the state apparatus
By CELSO FREDERICO:
Considerations on the model of dialectical reflection proposed by the French philosopher
By CELSO FREDERICO:
The Adornian implication with jazz has as a backdrop the criticism of its mercantile character
By CELSO FREDERICO:
Adorno's unsystematically systematic thinking
By CELSO FREDERICO:
The dialectic between the universal and the particular stresses Adorno's analyzes at all times
By CELSO FREDERICO:
The Italian Marxist developed a political conception of ideology, thinking of it as the space in which men become aware of social conflicts and wage their struggles
By CELSO FREDERICO:
When leaning over Croce's work, Gramsci sought to decant ideas that would format the bases of his own conception of the world
By CELSO FREDERICO:
The philosophy of praxis seeks to move away from both vulgar materialism and idealism.
By CELSO FREDERICO:
The Italian thinker saw the dissemination of Bukharin's ideas as a danger to be fought
By CELSO FREDERICO:
The cultural policy guided by the philosophy of praxis seeks to lead the “simple” to a superior conception of life.
By CELSO FREDERICO:
Calendars don't keep time the way clocks do.
By CELSO FREDERICO:
Comment on the book “Capitalismo e reificação” by José Paulo Netto.
