
Oriki
By DANIEL BRAZIL: Commentary on Iara Rennó's album
By DANIEL BRAZIL: Miles Davis, who played with Hermeto, called him “the most impressive musician in the world”
By DANIEL BRAZIL: Commentary on Wilson Gorj's Newly Released Book
By DANIEL BRAZIL: Commentary on the book by Agenor Couto de Magalhães
By DANIEL BRAZIL: Commentary on the book of short stories by Maria Fernanda Elias Maglio
By DANIEL BRAZIL: Either education is for everyone or it is not education, but a mechanism for perpetuating inequalities
By DANIEL BRAZIL:
Comment on the recently released book by journalist Néli Pereira
By DANIEL BRAZIL:
Considerations on the last show of the singer from Minas Gerais
By DANIEL BRAZIL:
Commentary on the new Brazilian editions of the work of the Peruvian poet
By DANIEL BRAZIL:
What bothers you about Anitta? Bad music, for the most demanding. The extreme sexual appeal, the ostensive sensuality, for the moralists
By DANIEL BRAZIL:
Chico and Caetano are also prolific writers, thinkers each in their own way.
By DANIEL BRAZIL:
Comment on the recently published book by Luís Pimentel
By DANIEL BRAZIL:
What is Bolsonaro if not a Dick Vigarista who rides a motorcycle and has many “followers”
By DANIEL BRAZIL:
Considerations on the novel by Itamar Vieira Junior
By DANIEL BRAZIL:
A film that could gain cyclopean (and prophylactic) dimensions, if it is sufficiently publicized
By DANIEL BRAZIL:
What could be a beautiful tribute to an important Brazilian composer ends up being more water thrown into the mill of mistakes
By DANIEL BRAZIL:
Considerations on the impact of the 1922 event on Brazilian popular music
By DANIEL BRAZIL:
Commentary on Henriette Effenberger's Newly Released Novel
By DANIEL BRAZIL: Miles Davis, who played with Hermeto, called him “the most impressive musician in the world”
By DANIEL BRAZIL: Commentary on Wilson Gorj's Newly Released Book
By DANIEL BRAZIL: Commentary on the book by Agenor Couto de Magalhães
By DANIEL BRAZIL: Commentary on the book of short stories by Maria Fernanda Elias Maglio
By DANIEL BRAZIL: Either education is for everyone or it is not education, but a mechanism for perpetuating inequalities
By DANIEL BRAZIL:
Comment on the recently released book by journalist Néli Pereira
By DANIEL BRAZIL:
Considerations on the last show of the singer from Minas Gerais
By DANIEL BRAZIL:
Commentary on the new Brazilian editions of the work of the Peruvian poet
By DANIEL BRAZIL:
What bothers you about Anitta? Bad music, for the most demanding. The extreme sexual appeal, the ostensive sensuality, for the moralists
By DANIEL BRAZIL:
Chico and Caetano are also prolific writers, thinkers each in their own way.
By DANIEL BRAZIL:
Comment on the recently published book by Luís Pimentel
By DANIEL BRAZIL:
What is Bolsonaro if not a Dick Vigarista who rides a motorcycle and has many “followers”
By DANIEL BRAZIL:
Considerations on the novel by Itamar Vieira Junior
By DANIEL BRAZIL:
A film that could gain cyclopean (and prophylactic) dimensions, if it is sufficiently publicized
By DANIEL BRAZIL:
What could be a beautiful tribute to an important Brazilian composer ends up being more water thrown into the mill of mistakes
By DANIEL BRAZIL:
Considerations on the impact of the 1922 event on Brazilian popular music
By DANIEL BRAZIL:
Commentary on Henriette Effenberger's Newly Released Novel