
Joker(s) — Todd Phillips' films
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The controversy surrounding Joker (2019) was more an attempt to depoliticize a scathing critique of social inequalities than a genuine response to the film's content
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The controversy surrounding Joker (2019) was more an attempt to depoliticize a scathing critique of social inequalities than a genuine response to the film's content
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: Cangaço is not the only form of plundering that has come back into fashion
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: Wide sectors of Brazilian society have an almost unhealthy relationship with American politics
By EBERVAL GADELHA FIGUEIREDO JR.: Even just at the domestic level, currency can also be part of an intricate mechanism for generating and reproducing inequalities
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The use of the term “pardo” is historically complex and inconsistent, not always presupposing miscegenation
By EBERVAL GADELHA FIGUEIREDO JR.: Brown people do not form a homogeneous group, reducible to a single origin, as so many people seem to want
By EBERVAL GADELHA FIGUEIREDO JR.: It is at least strange that speeches in support of Israel resort to the ideals of humanism, when that country subjects Palestinians to inhumane and degrading conditions
By EBERVAL GADELHA FIGUEIREDO JR.: The exercise of soft power Chinese culture does not involve ostensible investment in a cultural industry with global reach. A nuance that the American mind seems incapable of understanding
By EBERVAL GADELHA FIGUEIREDO JR.: The relations of indigenous peoples who inhabit Brazilian lands with their respective territories are not reducible to the institutes of Western law
By EBERVAL GADELHA FIGUEIREDO JR.: The New Climate Regime makes no distinction between nations, and shockwaves from extreme weather events cross geopolitical borders with implacable indifference
By ARI MARCELO SOLON, ALEXANDRE DE LIMA CASTRO TRANJAN & EBERVAL GADELHA FIGUEIREDO JR.: Barbie is a bad movie. The only good movies are the Soviet ones. But in Barbie there is more legal theory than in a college class
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The controversy surrounding Joker (2019) was more an attempt to depoliticize a scathing critique of social inequalities than a genuine response to the film's content
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: Cangaço is not the only form of plundering that has come back into fashion
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: Wide sectors of Brazilian society have an almost unhealthy relationship with American politics
By EBERVAL GADELHA FIGUEIREDO JR.: Even just at the domestic level, currency can also be part of an intricate mechanism for generating and reproducing inequalities
By EBERVAL GADELHA FIGUEIREDO JÚNIOR: The use of the term “pardo” is historically complex and inconsistent, not always presupposing miscegenation
By EBERVAL GADELHA FIGUEIREDO JR.: Brown people do not form a homogeneous group, reducible to a single origin, as so many people seem to want
By EBERVAL GADELHA FIGUEIREDO JR.: It is at least strange that speeches in support of Israel resort to the ideals of humanism, when that country subjects Palestinians to inhumane and degrading conditions
By EBERVAL GADELHA FIGUEIREDO JR.: The exercise of soft power Chinese culture does not involve ostensible investment in a cultural industry with global reach. A nuance that the American mind seems incapable of understanding
By EBERVAL GADELHA FIGUEIREDO JR.: The relations of indigenous peoples who inhabit Brazilian lands with their respective territories are not reducible to the institutes of Western law
By EBERVAL GADELHA FIGUEIREDO JR.: The New Climate Regime makes no distinction between nations, and shockwaves from extreme weather events cross geopolitical borders with implacable indifference
By ARI MARCELO SOLON, ALEXANDRE DE LIMA CASTRO TRANJAN & EBERVAL GADELHA FIGUEIREDO JR.: Barbie is a bad movie. The only good movies are the Soviet ones. But in Barbie there is more legal theory than in a college class