By FERNÃO PESSOA RAMOS: Benjamin’s “aesthetics of war” is not just a grim diagnosis of fascism, but a disturbing mirror of our own era, where the technical reproducibility of violence is normalized in digital flows. If the aura
By FERNÃO PESSOA RAMOS: The eternal cosmic return as the 'hell' of history. If the French revolutionary sees in the atomic repetition of the universe a destiny without progress, Benjamin resists, but does not escape the fascination of this vision
By FERNÃO PESSOA RAMOS: The film promoted the country's reunion with a literally unburied past, which insists on “being here”
By FERNÃO PESSOA RAMOS: Few years have passed since the pre-1964 illusions, but a lot has happened in this era of extremes
By FERNÃO PESSOA RAMOS: Digital numbers are the calculation of what is discarded in a world of brutalism
By FERNÃO PESSOA RAMOS: Considerations on the film criticism of Paulo Emilio Salles Gomes
By FERNÃO PESSOA RAMOS:
Reflections on the presence of Afro-descendants and racism in national cinema
By FERNÃO PESSOA RAMOS:
Considerations on the role of the spacing of bodies and things in scene
By FERNÃO PESSOA RAMOS:
A presentation of the documentary cinema developed by the Brazilian filmmaker
By FERNÃO PESSOA RAMOS:
Considerations on the famous sequence of the film “The battleship Potemkin”, by Sergei Eisenstein
By FERNÃO PESSOA RAMOS:
Considerations on the short film directed by Ivan Cardoso
By FERNÃO PESSOA RAMOS:
Considerations on the cinematographic dialogue between Glauber Rocha and Eduardo Coutinho
By FERNÃO PESSOA RAMOS: Considerations on the cinema of the Resumption.
By FERNÃO PESSOA RAMOS: Death trivialized in mechanisms for the bureaucratic implementation of public policies.
By FERNÃO PESSOA RAMOS:
Considerations on “It's All True”, the unfinished documentary by the American filmmaker
By FERNÃO PESSOA RAMOS: Commentary on the book “The Author in Cinema”, by Jean-Claude Bernardet
By FERNÃO PESSOA RAMOS: Essay on the work of Caetano Veloso based on the analysis of the film “Narciso em Férias”
By FERNÃO PESSOA RAMOS: The fundamentalist-religious and militia-police faces of Bolsonarism, articulated through digital networks, are supported by a bureaucratic administrative layer that absorbs the military establishment
By FERNÃO PESSOA RAMOS: Images of death in modern cinema and contemporary cinema
By FERNÃO PESSOA RAMOS* The essays of a disciple of the critic André Bazin Jean-Louis Comolli was one of the key figures of French thought on cinema in the 1960s. He wrote long theoretical texts in Cahiers du Cinéma, which occupied several issues
By FERNÃO PESSOA RAMOS: Benjamin’s “aesthetics of war” is not just a grim diagnosis of fascism, but a disturbing mirror of our own era, where the technical reproducibility of violence is normalized in digital flows. If the aura
By FERNÃO PESSOA RAMOS: The eternal cosmic return as the 'hell' of history. If the French revolutionary sees in the atomic repetition of the universe a destiny without progress, Benjamin resists, but does not escape the fascination of this vision
By FERNÃO PESSOA RAMOS: The film promoted the country's reunion with a literally unburied past, which insists on “being here”
By FERNÃO PESSOA RAMOS: Few years have passed since the pre-1964 illusions, but a lot has happened in this era of extremes
By FERNÃO PESSOA RAMOS: Digital numbers are the calculation of what is discarded in a world of brutalism
By FERNÃO PESSOA RAMOS: Considerations on the film criticism of Paulo Emilio Salles Gomes
By FERNÃO PESSOA RAMOS:
Reflections on the presence of Afro-descendants and racism in national cinema
By FERNÃO PESSOA RAMOS:
Considerations on the role of the spacing of bodies and things in scene
By FERNÃO PESSOA RAMOS:
A presentation of the documentary cinema developed by the Brazilian filmmaker
By FERNÃO PESSOA RAMOS:
Considerations on the famous sequence of the film “The battleship Potemkin”, by Sergei Eisenstein
By FERNÃO PESSOA RAMOS:
Considerations on the short film directed by Ivan Cardoso
By FERNÃO PESSOA RAMOS:
Considerations on the cinematographic dialogue between Glauber Rocha and Eduardo Coutinho
By FERNÃO PESSOA RAMOS: Considerations on the cinema of the Resumption.
By FERNÃO PESSOA RAMOS: Death trivialized in mechanisms for the bureaucratic implementation of public policies.
By FERNÃO PESSOA RAMOS:
Considerations on “It's All True”, the unfinished documentary by the American filmmaker
By FERNÃO PESSOA RAMOS: Commentary on the book “The Author in Cinema”, by Jean-Claude Bernardet
By FERNÃO PESSOA RAMOS: Essay on the work of Caetano Veloso based on the analysis of the film “Narciso em Férias”
By FERNÃO PESSOA RAMOS: The fundamentalist-religious and militia-police faces of Bolsonarism, articulated through digital networks, are supported by a bureaucratic administrative layer that absorbs the military establishment
By FERNÃO PESSOA RAMOS: Images of death in modern cinema and contemporary cinema
By FERNÃO PESSOA RAMOS* The essays of a disciple of the critic André Bazin Jean-Louis Comolli was one of the key figures of French thought on cinema in the 1960s. He wrote long theoretical texts in Cahiers du Cinéma, which occupied several issues