Thinking playwrights
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Rodriguiana's tragedy is not just for Rio de Janeiro, but extends to all the north and south areas, villages and hamlets of Brazil
01/08/2024
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Rodriguiana's tragedy is not just for Rio de Janeiro, but extends to all the north and south areas, villages and hamlets of Brazil
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: There is a parade of Christs: those who collude with oppressive, exclusionary structures, ideologues of exploitative relations, generators of VIP boxes and social apartheid
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: In the carnival invention, ownerless rites and carnival groups parade their dramatizations under a rich and diverse sound
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Musical performances by a young, poor, gay black man in the film directed by Carolina Markowick
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: When will a teacher have the salary of a deputy and the prestige of a football player?
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: “Winter Light”, a film by Ingmar Bergman, contemplates suicide
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: The teacher proposes a set of questions with the aim of building a broad and complex view of the new generations, represented by the students who participate in the disciplines
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR: Christians and communists converge in the proposal of an egalitarian and equitable society
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Comments on auditions of carnival sambas
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Considerations on the song “Apesar de você”, by Chico Buarque de Holanda
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Commentary on the album by the singer and accordionist
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Thoughts on albums released by each of the three artists in 2021
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
The cinema presents a synthetic and symbolic view of the 2016 coup up to the present day
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Commentary on the artistic trajectory of the singer and actor
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Rodriguiana's tragedy is not just for Rio de Janeiro, but extends to all the north and south areas, villages and hamlets of Brazil
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: There is a parade of Christs: those who collude with oppressive, exclusionary structures, ideologues of exploitative relations, generators of VIP boxes and social apartheid
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: In the carnival invention, ownerless rites and carnival groups parade their dramatizations under a rich and diverse sound
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Musical performances by a young, poor, gay black man in the film directed by Carolina Markowick
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: When will a teacher have the salary of a deputy and the prestige of a football player?
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: “Winter Light”, a film by Ingmar Bergman, contemplates suicide
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: The teacher proposes a set of questions with the aim of building a broad and complex view of the new generations, represented by the students who participate in the disciplines
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR: Christians and communists converge in the proposal of an egalitarian and equitable society
By FRANCISCO DE OLIVEIRA BARROS JUNIOR: Comments on auditions of carnival sambas
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Considerations on the song “Apesar de você”, by Chico Buarque de Holanda
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Commentary on the album by the singer and accordionist
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Thoughts on albums released by each of the three artists in 2021
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
The cinema presents a synthetic and symbolic view of the 2016 coup up to the present day
By FRANCISCO DE OLIVEIRA BARROS JÚNIOR:
Commentary on the artistic trajectory of the singer and actor
