By HENRY BURNETT: The classroom, a space for dialogue and discovery, is a trench against organized ignorance. Teaching philosophy today means resisting barbarism – not by indoctrination, but by insisting that thinking is still worthwhile.
By HENRY BURNETT: The courage of the tragic placed Nana in the pantheon of great artists of the world. From where she will never leave
By HENRY BURNETT: The great victory of Nazism was not to exterminate Jews, blacks, disabled people and gays, but to reduce them to a sub-human condition. And in many ways Nazi-fascism won and continues to win
By HENRY BURNETT: Commentary on the recently released book by João Moreira Salles
By HENRY BURNETT: Considerations on Roberto Machado's posthumous book
By HENRY BURNETT:
Reading Janio on Sundays, during the last four years, was a refuge, one of the only reasons for continuing to pay Folha
By HENRY BURNETT:
The actors change, but the formats only gain state-of-the-art technology, always remaining the same
By HENRY BURNETT:
Comments on the strength of the feminine in the singer from Rio de Janeiro and the controversy surrounding the song ¨With sugar, with affection”
By HENRY BURNETT:
Comment on the recently released album “Elza Soares & João de Aquino”
By HENRY BURNETT:
Roberto finds in his final phase what is most basic, simple and at the same time broad and identifying the essence of Brazil: the faith of the people.
By HENRY BURNETT: The genesis of “The Bearer”, a classic article by the Brazilian literary critic about the German philosopher
By HENRY BURNETT: Commentary on the Bahian musician and samba from the Recôncavo
By HENRY BURNETT: Comment on the documentary “Raul: the beginning, the end and the middle”
By HENRY BURNETT: Commentary on the duo's latest album
By Henry Burnett:
Comment on the uniqueness of the lyricist and on his different partnerships
By Henry Burnett:
Moraes Moreira's work has always been the opposite of sadness and brutality, with all its affirmative force
By Henry Burnett
Comment on the latest album by musician Lucas Santtana
By HENRY BURNETT: The classroom, a space for dialogue and discovery, is a trench against organized ignorance. Teaching philosophy today means resisting barbarism – not by indoctrination, but by insisting that thinking is still worthwhile.
By HENRY BURNETT: The courage of the tragic placed Nana in the pantheon of great artists of the world. From where she will never leave
By HENRY BURNETT: The great victory of Nazism was not to exterminate Jews, blacks, disabled people and gays, but to reduce them to a sub-human condition. And in many ways Nazi-fascism won and continues to win
By HENRY BURNETT: Commentary on the recently released book by João Moreira Salles
By HENRY BURNETT: Considerations on Roberto Machado's posthumous book
By HENRY BURNETT:
Reading Janio on Sundays, during the last four years, was a refuge, one of the only reasons for continuing to pay Folha
By HENRY BURNETT:
The actors change, but the formats only gain state-of-the-art technology, always remaining the same
By HENRY BURNETT:
Comments on the strength of the feminine in the singer from Rio de Janeiro and the controversy surrounding the song ¨With sugar, with affection”
By HENRY BURNETT:
Comment on the recently released album “Elza Soares & João de Aquino”
By HENRY BURNETT:
Roberto finds in his final phase what is most basic, simple and at the same time broad and identifying the essence of Brazil: the faith of the people.
By HENRY BURNETT: The genesis of “The Bearer”, a classic article by the Brazilian literary critic about the German philosopher
By HENRY BURNETT: Commentary on the Bahian musician and samba from the Recôncavo
By HENRY BURNETT: Comment on the documentary “Raul: the beginning, the end and the middle”
By HENRY BURNETT: Commentary on the duo's latest album
By Henry Burnett:
Comment on the uniqueness of the lyricist and on his different partnerships
By Henry Burnett:
Moraes Moreira's work has always been the opposite of sadness and brutality, with all its affirmative force
By Henry Burnett
Comment on the latest album by musician Lucas Santtana
