
Porcelain war
By JOÃO LANARI BO: Commentary on the documentary directed by Slava Leontyev & Brendan Bellomo.
By JOÃO LANARI BO: Commentary on the documentary directed by Slava Leontyev & Brendan Bellomo.
By JOÃO LANARI BO: Commentary on the documentary, currently showing in cinemas, directed by Basel Adra & Yuval Abraham
By JOÃO LANARI BO: Commentary on the documentary directed by Shiori Ito
By JOÃO LANARI BO: Commentary on the film directed by Edward Berger, currently showing in theaters
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen
By JOÃO LANARI BO: Commentary on Jamie Roberts' documentary “Four hours at the Capitol”
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By JOÃO LANARI BO:Comment on the film directed by Ali Asgari and Alireza Khatami, showing in cinemas
By JOÃO LANARI BO: Commentary on Aleksander Sokurov's film, showing in cinemas
By JOÃO LANARI BO: Commentary on Agnieszka Holland's film, showing in cinemas
By JOÃO LANARI BO: Commentary on the film directed by Kaouther Ben Hania
By JOÃO LANARI BO: Considerations on the work of the Russian filmmaker
By JOÃO LANARI BO: Nikita moved with ease between the establishment and dissent, between aesthetic and political ambitions, between being a moral prophet and a dramatic artist
By JOÃO LANARI BO: Commentary on the film directed by Natasha Merkulova and Aleksey Chupov
By JOÃO LANARI BO: The powder that connects the conflict in Ukraine with what is currently happening in the Gaza Strip is frightening
By JOÃO LANARI BO: Commentary on the documentary directed by Slava Leontyev & Brendan Bellomo.
By JOÃO LANARI BO: Commentary on the documentary, currently showing in cinemas, directed by Basel Adra & Yuval Abraham
By JOÃO LANARI BO: Commentary on the documentary directed by Shiori Ito
By JOÃO LANARI BO: Commentary on the film directed by Edward Berger, currently showing in theaters
By JOÃO LANARI BO: Commentary on the documentary by artist and filmmaker Steve McQueen
By JOÃO LANARI BO: Commentary on Jamie Roberts' documentary “Four hours at the Capitol”
By JOÃO LANARI BO: Johan Grimonprez's film is a complete rejection of two well-known linearities, that of history and that of documentary language.
By JOÃO LANARI BO:Comment on the film directed by Ali Asgari and Alireza Khatami, showing in cinemas
By JOÃO LANARI BO: Commentary on Aleksander Sokurov's film, showing in cinemas
By JOÃO LANARI BO: Commentary on Agnieszka Holland's film, showing in cinemas
By JOÃO LANARI BO: Commentary on the film directed by Kaouther Ben Hania
By JOÃO LANARI BO: Considerations on the work of the Russian filmmaker
By JOÃO LANARI BO: Nikita moved with ease between the establishment and dissent, between aesthetic and political ambitions, between being a moral prophet and a dramatic artist
By JOÃO LANARI BO: Commentary on the film directed by Natasha Merkulova and Aleksey Chupov
By JOÃO LANARI BO: The powder that connects the conflict in Ukraine with what is currently happening in the Gaza Strip is frightening