Theodor Adorno's Critical Theory of Culture
By LUCAS FIASCHETTI ESTEVEZ: The dialectical and immanent critique of culture undertaken by Theodor Adorno enables us to think about the irresolute insertion of culture in our time
17/09/2024
By LUCAS FIASCHETTI ESTEVEZ: The dialectical and immanent critique of culture undertaken by Theodor Adorno enables us to think about the irresolute insertion of culture in our time
By LUCAS FIASCHETTI ESTEVEZ: Considerations on the recently released book by Ricardo Fabbrini
By LUCAS FIASCHETTI ESTEVEZ: Considerations on some trends in contemporary cinema
By LUCAS FIASCHETTI ESTEVEZ: Comment on the recent performance of the pianist and singer
By LUCAS FIASCHETTI ESTEVEZ:
In contemporary times, the maximum image resolution of the representation has been converted into an index of the veracity of what is represented
By LUCAS FIASCHETTI ESTEVEZ: Comment on the performance of the Japanese musician at Sala São Paulo
By LUCAS FIASCHETTI ESTEVEZ:
Theodor W. Adorno diagnosed how jazz integrated black people into society through stereotypes and racist representations
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the recently published book by Pedro Alexandre Sanches
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the world premiere of the play, in an OSESP concert
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the film of the same name, a memoir by Caetano Veloso about his days in prison during the military dictatorship
By Lucas Fiaschetti Estevez
This permanent state of restlessness is powerful in tearing our mental health and well-being apart. Perhaps what bothers us most is not knowing how long this will last. This anguish of confinement keeps
By Lucas Fiaschetti Estevez
Commentary on the work and intellectual trajectory of the Italian filmmaker and complete retrospective program Fellini Il Maestro
By Lucas Fiaschetti Estevez
Bacurau and Bolsonaro's Brazil in the pages of Cahiers du cinema
By Lucas Fiaschetti Estevez
Joo-ho Bong's film shows brutal inequalities that go beyond South Korean national particularities
By LUCAS FIASCHETTI ESTEVEZ: The dialectical and immanent critique of culture undertaken by Theodor Adorno enables us to think about the irresolute insertion of culture in our time
By LUCAS FIASCHETTI ESTEVEZ: Considerations on the recently released book by Ricardo Fabbrini
By LUCAS FIASCHETTI ESTEVEZ: Considerations on some trends in contemporary cinema
By LUCAS FIASCHETTI ESTEVEZ: Comment on the recent performance of the pianist and singer
By LUCAS FIASCHETTI ESTEVEZ:
In contemporary times, the maximum image resolution of the representation has been converted into an index of the veracity of what is represented
By LUCAS FIASCHETTI ESTEVEZ: Comment on the performance of the Japanese musician at Sala São Paulo
By LUCAS FIASCHETTI ESTEVEZ:
Theodor W. Adorno diagnosed how jazz integrated black people into society through stereotypes and racist representations
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the recently published book by Pedro Alexandre Sanches
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the world premiere of the play, in an OSESP concert
By LUCAS FIASCHETTI ESTEVEZ:
Commentary on the film of the same name, a memoir by Caetano Veloso about his days in prison during the military dictatorship
By Lucas Fiaschetti Estevez
This permanent state of restlessness is powerful in tearing our mental health and well-being apart. Perhaps what bothers us most is not knowing how long this will last. This anguish of confinement keeps
By Lucas Fiaschetti Estevez
Commentary on the work and intellectual trajectory of the Italian filmmaker and complete retrospective program Fellini Il Maestro
By Lucas Fiaschetti Estevez
Bacurau and Bolsonaro's Brazil in the pages of Cahiers du cinema
By Lucas Fiaschetti Estevez
Joo-ho Bong's film shows brutal inequalities that go beyond South Korean national particularities