Wave vibration
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
01/03/2025
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
By LUIZ RENATO MARTINS: In the firing line are the cursed and unfortunate of the Earth. For these potential refugees, fate is being prepared in incubators where new forms of genocidal practices proliferate
By LUIZ RENATO MARTINS: The notion of objective form was directly linked to reflective historical judgment, integrating the set of critical responses to the new cycle of capitalist modernization in Brazil
By LUIZ RENATO MARTINS: The treatment of the issue of space, in the visual scope of modern Brazilian culture, brings together the works of Tarsila do Amaral, Lúcio Costa, Oscar Niemeyer and Roberto Burle Marx
By LUIZ RENATO MARTINS: Comment on the exhibition “Almost Circus”, with works by Carmela Gross, on display at Sesc-Pompeia
By LUIZ RENATO MARTINS: Comment on the exhibition “Almost Circus”, with works by Carmela Gross, on display at Sesc-Pompeia
By LUIZ RENATO MARTINS: Art – as long as it is understood as a counter-information action – which wants to be dissident, if not revolutionary, must extract lessons in tactics and strategy from such actions
By LUIZ RENATO MARTINS: Traditional paradigm of artisanal excellence, how did painting respond to the abstraction of work inherent to capitalist modernization?
By LUIZ RENATO MARTINS: Comments on the book by Robert Linhart, Le Sucre et la Faim
By LUIZ RENATO MARTINS: Entries and notes for a script of fights and debates
By LUIZ RENATO MARTINS: Entries and notes for a script of fights and debates
By LUIZ RENATO MARTINS: Argan's work as a materialist historian and dialectical thinker of the experience of art
By LUIZ RENATO MARTINS: As surprising as it may seem to many, among the legatees of the organizational culture of Stalinism is the new business culture of neoliberalism
By LUIZ RENATO MARTINS: From analytical cubism will arise antithetically the collage as an act of force or exception
By LUIZ RENATO MARTINS: Édouard Manet's sharp, synthetic brushstroke stripped light of its symbolic power
By LUIZ RENATO MARTINS:
Considerations on the exhibition by Carmela Gross, on display in São Paulo.
By LUIZ RENATO MARTINS: “Death in painting” with poetic and political purpose
By LUIZ RENATO MARTINS:
Considerations on two canvases by the French painter
By LUIZ RENATO MARTINS: A small, strict and synthetic framework like a project, with the value of a historical milestone
By LUIZ RENATO MARTINS: In the firing line are the cursed and unfortunate of the Earth. For these potential refugees, fate is being prepared in incubators where new forms of genocidal practices proliferate
By LUIZ RENATO MARTINS: The notion of objective form was directly linked to reflective historical judgment, integrating the set of critical responses to the new cycle of capitalist modernization in Brazil
By LUIZ RENATO MARTINS: The treatment of the issue of space, in the visual scope of modern Brazilian culture, brings together the works of Tarsila do Amaral, Lúcio Costa, Oscar Niemeyer and Roberto Burle Marx
By LUIZ RENATO MARTINS: Comment on the exhibition “Almost Circus”, with works by Carmela Gross, on display at Sesc-Pompeia
By LUIZ RENATO MARTINS: Comment on the exhibition “Almost Circus”, with works by Carmela Gross, on display at Sesc-Pompeia
By LUIZ RENATO MARTINS: Art – as long as it is understood as a counter-information action – which wants to be dissident, if not revolutionary, must extract lessons in tactics and strategy from such actions
By LUIZ RENATO MARTINS: Traditional paradigm of artisanal excellence, how did painting respond to the abstraction of work inherent to capitalist modernization?
By LUIZ RENATO MARTINS: Comments on the book by Robert Linhart, Le Sucre et la Faim
By LUIZ RENATO MARTINS: Entries and notes for a script of fights and debates
By LUIZ RENATO MARTINS: Entries and notes for a script of fights and debates
By LUIZ RENATO MARTINS: Argan's work as a materialist historian and dialectical thinker of the experience of art
By LUIZ RENATO MARTINS: As surprising as it may seem to many, among the legatees of the organizational culture of Stalinism is the new business culture of neoliberalism
By LUIZ RENATO MARTINS: From analytical cubism will arise antithetically the collage as an act of force or exception
By LUIZ RENATO MARTINS: Édouard Manet's sharp, synthetic brushstroke stripped light of its symbolic power
By LUIZ RENATO MARTINS:
Considerations on the exhibition by Carmela Gross, on display in São Paulo.
By LUIZ RENATO MARTINS: “Death in painting” with poetic and political purpose
By LUIZ RENATO MARTINS:
Considerations on two canvases by the French painter