Stories of Alexander
By MARCELO GUIMARÃES LIMA: Comment on the new edition of Graciliano Ramos' book
16/12/2024
By MARCELO GUIMARÃES LIMA: Comment on the new edition of Graciliano Ramos' book
By MARCELO GUIMARÃES LIMA: The recently revealed coup plot has as its historical background the impunity of crimes committed during the military dictatorship that began in 1964
By MARCELO GUIMARÃES LIMA: Bolsonaro deputies pressure and manage to censor art event sponsored by Caixa Econômica Federal
By MARCELO GUIMARÃES LIMA: The genocide, the murderous violence, carried out by the extreme right in power in Israel, and fanned by the European Union and the United States, seems to have no end
By MARCELO GUIMARÃES LIMA: The notable coup attempt by Jair Bolsonaro, his military, his business friends, his troops in parliament, is yet another crime among the flood of crimes during his presidency
By MARCELO GUIMARÃES LIMA: In a time of global crisis, what the reiteration of a transnational project with a decidedly authoritarian, bellicose nature teaches us is the need for various initiatives in the popular field
By MARCELO GUIMARÃES LIMA: Martín Chambi's works capture and represent moments of coexistence between the past and a present in transition
By MARCELO GUIMARÃES LIMA: Like it or not, Walter Delgatti is our Julian Assange. The omission in your case is objectively acquiescence to the power of the oligarchy
By MARCELO GUIMARÃES LIMA: Comments on the Dutch graphic artist's CCBB exhibition
By MARCELO GUIMARÃES LIMA: Giovanni Guaccero and “Italo-Brazilian” popular music
By MARCELO GUIMARÃES LIMA: Bolsonarism is left today with permanent provocation as a means of survival and hope for the future, but not without help from the media and conservative liberals
By MARCELO GUIMARÃES LIMA: Of the many paradoxes and contradictions that permeate De Chirico's artistic project, perhaps the most fundamental is that of the builder of pictorial modernity
By MARCELO GUIMARÃES LIMA: Considerations on the indigenous artist Jaider Esbell
By MARCELO GUIMARÃES LIMA: A visual reflection on the experience of catastrophes, cataclysms and disasters in our time: from the global to the personal
By MARCELO GUIMARÃES LIMA: In Brazil in the XNUMXst century, torturers, supporters and leaders of torture still sleep peacefully
By MARCELO GUIMARÃES LIMA: There is no autonomy possible in the world commanded by the so-called hegemonic liberal democracy
By MARCELO GUIMARÃES LIMA:
There is no way to talk about national conciliation without going through the punishment of the crimes of Jair Bolsonaro and his allies
By MARCELO GUIMARÃES LIMA:
The neo-fascist adventure ended up laying bare in the public square the chronic authoritarianism backed by the military party and violence as a method
By MARCELO GUIMARÃES LIMA:
Oligopolized communication in Brazil has always been an instrument of coups and dictatorships, guaranteeing the validity and power of influence of anti-people and anti-nation interests in public debate
By MARCELO GUIMARÃES LIMA: Comment on the new edition of Graciliano Ramos' book
By MARCELO GUIMARÃES LIMA: The recently revealed coup plot has as its historical background the impunity of crimes committed during the military dictatorship that began in 1964
By MARCELO GUIMARÃES LIMA: Bolsonaro deputies pressure and manage to censor art event sponsored by Caixa Econômica Federal
By MARCELO GUIMARÃES LIMA: The genocide, the murderous violence, carried out by the extreme right in power in Israel, and fanned by the European Union and the United States, seems to have no end
By MARCELO GUIMARÃES LIMA: The notable coup attempt by Jair Bolsonaro, his military, his business friends, his troops in parliament, is yet another crime among the flood of crimes during his presidency
By MARCELO GUIMARÃES LIMA: In a time of global crisis, what the reiteration of a transnational project with a decidedly authoritarian, bellicose nature teaches us is the need for various initiatives in the popular field
By MARCELO GUIMARÃES LIMA: Martín Chambi's works capture and represent moments of coexistence between the past and a present in transition
By MARCELO GUIMARÃES LIMA: Like it or not, Walter Delgatti is our Julian Assange. The omission in your case is objectively acquiescence to the power of the oligarchy
By MARCELO GUIMARÃES LIMA: Comments on the Dutch graphic artist's CCBB exhibition
By MARCELO GUIMARÃES LIMA: Giovanni Guaccero and “Italo-Brazilian” popular music
By MARCELO GUIMARÃES LIMA: Bolsonarism is left today with permanent provocation as a means of survival and hope for the future, but not without help from the media and conservative liberals
By MARCELO GUIMARÃES LIMA: Of the many paradoxes and contradictions that permeate De Chirico's artistic project, perhaps the most fundamental is that of the builder of pictorial modernity
By MARCELO GUIMARÃES LIMA: Considerations on the indigenous artist Jaider Esbell
By MARCELO GUIMARÃES LIMA: A visual reflection on the experience of catastrophes, cataclysms and disasters in our time: from the global to the personal
By MARCELO GUIMARÃES LIMA: In Brazil in the XNUMXst century, torturers, supporters and leaders of torture still sleep peacefully
By MARCELO GUIMARÃES LIMA: There is no autonomy possible in the world commanded by the so-called hegemonic liberal democracy
By MARCELO GUIMARÃES LIMA:
There is no way to talk about national conciliation without going through the punishment of the crimes of Jair Bolsonaro and his allies
By MARCELO GUIMARÃES LIMA:
The neo-fascist adventure ended up laying bare in the public square the chronic authoritarianism backed by the military party and violence as a method
By MARCELO GUIMARÃES LIMA:
Oligopolized communication in Brazil has always been an instrument of coups and dictatorships, guaranteeing the validity and power of influence of anti-people and anti-nation interests in public debate
