We still have tomorrow
By MANUFACTURING MARIAROSARIA: Notes on Paola Cortellesi's debut film
14/09/2024
By MANUFACTURING MARIAROSARIA: Notes on Paola Cortellesi's debut film
By MANUFACTURING MARIAROSARIA: Comments on the presence and passage of the Italian neorealist filmmaker in Brazil
By MANUFACTURING MARIAROSARIA: Considerations about Il sol dell'avvenire (The best is yet to come), film by Nanni Moretti
By MANUFACTURING MARIAROSARIA: Artists transformed the dictatorship’s “paths of death” into streets of memory
By MANUFACTURING MARIAROSARIA: Considerations about the film by the Taviani brothers, dedicated to the memory of Vittorio (who passed away in 2018) and Paolo, who left us on the last day of February this year
By MANUFACTURING MARIAROSARIA: Considerations on the reception of the Italian filmmaker’s work
By MANUFACTURING MARIAROSARIA:
Reflections on the centenary of the Italian writer’s birth
By MANUFACTURING MARIAROSARIA: Commentary on a poem in the form of an essay documentary by Pier Paolo Pasolini
By MANUFACTURING MARIAROSARIA: Considerations on the Italian writer and artist Dino Buzzati
By MANUFACTURING MARIAROSARIA: Pasolini was a writer more than a filmmaker
By MANUFACTURING MARIAROSARIA: Panel of the political and trade union struggles that shook Italy between the 1960s and 1970s
By MANUFACTURING MARIAROSARIA: The impact of a film on a society can be measured not only by the repercussions it had when it was released, but also by how it is remembered
By MANUFACTURING MARIAROSARIA: Considerations on the adaptation of Shakespeare by Pier Paolo Pasolini
By MARIAROSARIA FABRIS:
Considerations on the documentary “La strada di Levi”
By MARIAROSARIA FABRIS:
Considerations on some film reviews by filmmaker Pier Paolo Pasolini
By MARIAROSARIA FABRIS:
Considerations on the film by Jean-Marie Straub (1933-2022) and Danièle Huillet (1936-2006), based on the book by Elio Vittorini
By MARIAROSARIA FABRIS:
Considerations on the exhibition “The summer of 1945 in Italy: Lina Bo’s journey in Federico Patellani’s photographs”
By MARIAROSARIA FABRIS:
Considerations on the film by Nelson Pereira dos Santos
By MANUFACTURING MARIAROSARIA: Notes on Paola Cortellesi's debut film
By MANUFACTURING MARIAROSARIA: Comments on the presence and passage of the Italian neorealist filmmaker in Brazil
By MANUFACTURING MARIAROSARIA: Considerations about Il sol dell'avvenire (The best is yet to come), film by Nanni Moretti
By MANUFACTURING MARIAROSARIA: Artists transformed the dictatorship’s “paths of death” into streets of memory
By MANUFACTURING MARIAROSARIA: Considerations about the film by the Taviani brothers, dedicated to the memory of Vittorio (who passed away in 2018) and Paolo, who left us on the last day of February this year
By MANUFACTURING MARIAROSARIA: Considerations on the reception of the Italian filmmaker’s work
By MANUFACTURING MARIAROSARIA:
Reflections on the centenary of the Italian writer’s birth
By MANUFACTURING MARIAROSARIA: Commentary on a poem in the form of an essay documentary by Pier Paolo Pasolini
By MANUFACTURING MARIAROSARIA: Considerations on the Italian writer and artist Dino Buzzati
By MANUFACTURING MARIAROSARIA: Pasolini was a writer more than a filmmaker
By MANUFACTURING MARIAROSARIA: Panel of the political and trade union struggles that shook Italy between the 1960s and 1970s
By MANUFACTURING MARIAROSARIA: The impact of a film on a society can be measured not only by the repercussions it had when it was released, but also by how it is remembered
By MANUFACTURING MARIAROSARIA: Considerations on the adaptation of Shakespeare by Pier Paolo Pasolini
By MARIAROSARIA FABRIS:
Considerations on the documentary “La strada di Levi”
By MARIAROSARIA FABRIS:
Considerations on some film reviews by filmmaker Pier Paolo Pasolini
By MARIAROSARIA FABRIS:
Considerations on the film by Jean-Marie Straub (1933-2022) and Danièle Huillet (1936-2006), based on the book by Elio Vittorini
By MARIAROSARIA FABRIS:
Considerations on the exhibition “The summer of 1945 in Italy: Lina Bo’s journey in Federico Patellani’s photographs”
By MARIAROSARIA FABRIS:
Considerations on the film by Nelson Pereira dos Santos
