Note on place of speech
By RENATO ORTIZ: The sociological subject can “speak” about the most diverse topics, but without forgetting that he does not have the monopoly of the interpretation of the social
14/02/2025
By RENATO ORTIZ: The sociological subject can “speak” about the most diverse topics, but without forgetting that he does not have the monopoly of the interpretation of the social
By RENATO ORTIZ: Political correctness suffers from the temptation of Good and a certain optical illusion, it aspires to a world in which the shadow of objects is projected onto its own essence.
By RENATO ORTIZ: Marx spoke of a situation restricted to part of a country called England, the north of France, and perhaps a region that would be part of a future Germany.
By RENATO ORTIZ: Gabriel García Márquez is a master of this subtle and delicate craft in guiding the reader to the flavor of the undulation of the sentences, he holds the cystolic art of guiding us through the lines of the text
By RENATO ORTIZ: In the communication system that surrounds us, everything needs to circulate as quickly as possible; speed is a categorical imperative.
By RENATO ORTIZ: Someone without a shadow would have gotten rid of the dark temptations, the stain that corrupts us, it would no longer be necessary to wear the mask that distorts us before the complacent gaze of others, disguising what we really are.
By RENATO ORTIZ: In the solitude of the digital screen, the individual lives the illusion of his infinity, the other is perceived as potentially disruptive in his invasive presence. The insult protects him, reinforces the barriers of his narcissism
By RENATO ORTIZ: A narrative is not defined by reality, it is the story, it is sufficient in itself.
By RENATO ORTIZ: Ernest Hemingway wanted to emphasize this temporal indeterminacy, the malleability of time in relation to space, that is, the possibility of removing the existence of a determined geographic context
By RENATO ORTIZ: The volume of interactions becomes so strident that it is necessary to survive the deafening of information
By RENATO ORTIZ: The portrait of Dorian Gray and the anguish that haunts us in these current times
By RENATO ORTIZ: It is the belief that shapes the conception of the world, despite the inconsistencies of reality
By RENATO ORTIZ:
The “truth” of a narrative lies in its internal coherence, its reason for being does not rest on what is alien to it.
By RENATO ORTIZ:
Luxury must be inaccessible in the figurative and proper sense of the term
By RENATO ORTIZ: Observations on authoritarianism and language
By RENATO ORTIZ: The solution offered by the inversion rituals was comforting, symbolically ensuring the permanence of things; with the pandemic, instability prevails over security
By RENATO ORTIZ: The sociological subject can “speak” about the most diverse topics, but without forgetting that he does not have the monopoly of the interpretation of the social
By RENATO ORTIZ: Political correctness suffers from the temptation of Good and a certain optical illusion, it aspires to a world in which the shadow of objects is projected onto its own essence.
By RENATO ORTIZ: Marx spoke of a situation restricted to part of a country called England, the north of France, and perhaps a region that would be part of a future Germany.
By RENATO ORTIZ: Gabriel García Márquez is a master of this subtle and delicate craft in guiding the reader to the flavor of the undulation of the sentences, he holds the cystolic art of guiding us through the lines of the text
By RENATO ORTIZ: In the communication system that surrounds us, everything needs to circulate as quickly as possible; speed is a categorical imperative.
By RENATO ORTIZ: Someone without a shadow would have gotten rid of the dark temptations, the stain that corrupts us, it would no longer be necessary to wear the mask that distorts us before the complacent gaze of others, disguising what we really are.
By RENATO ORTIZ: In the solitude of the digital screen, the individual lives the illusion of his infinity, the other is perceived as potentially disruptive in his invasive presence. The insult protects him, reinforces the barriers of his narcissism
By RENATO ORTIZ: A narrative is not defined by reality, it is the story, it is sufficient in itself.
By RENATO ORTIZ: Ernest Hemingway wanted to emphasize this temporal indeterminacy, the malleability of time in relation to space, that is, the possibility of removing the existence of a determined geographic context
By RENATO ORTIZ: The volume of interactions becomes so strident that it is necessary to survive the deafening of information
By RENATO ORTIZ: The portrait of Dorian Gray and the anguish that haunts us in these current times
By RENATO ORTIZ: It is the belief that shapes the conception of the world, despite the inconsistencies of reality
By RENATO ORTIZ:
The “truth” of a narrative lies in its internal coherence, its reason for being does not rest on what is alien to it.
By RENATO ORTIZ:
Luxury must be inaccessible in the figurative and proper sense of the term
By RENATO ORTIZ: Observations on authoritarianism and language
By RENATO ORTIZ: The solution offered by the inversion rituals was comforting, symbolically ensuring the permanence of things; with the pandemic, instability prevails over security