The war of images
By RICARDO FABBRINI: Excerpt selected by the author of the recently released book “Contemporary art in three times”
04/04/2024
By RICARDO FABBRINI: Excerpt selected by the author of the recently released book “Contemporary art in three times”
By RICARDO FABBRINI: Speech to be given at the ceremony awarding the title of Professor Emeritus to the philosopher, educator and arts critic
By RICARDO FABBRINI: Profile of the philosopher recently awarded the title of Professor Emeritus at FFLCH-USP
By RICARDO FABBRINI:
Considerations from the book by Georges Didi-Huberman
By RICARDO FABBRINI:
Saggese's photographs are not records of the Amazon rainforest, which in terms of praise would praise its splendor or ecological photojournalism.
By RICARDO FABBRINI:
Considerations on the book by Artur Freitas that discusses the role of the avant-garde and conceptualism in Brazil
By RICARDO FABBRINI: The group’s montages “look at our own cancer”; “look at the inflamed vein within the city”
By RICARDO FABBRINI:
The reactivation of Lygia Clark's political strength in the present involves examining the "desire for community" underlying the artist's trajectory
By RICARDO FABBRINI: Comment on the work of Amilcar de Castro, which in July would have completed 100 years
By RICARDO FABBRINI: Commentary on the book by Artur Kon
By Ricardo Fabbrini:
Notes on the debate about the relationship between the autonomy of the aesthetic and praxis, based on the work of Peter Bürger.
By Ricardo Fabbrini
An update of the controversy raised in 1968 by the album Tropicália, a work that brought together, among others, Caetano Veloso, Gilberto Gil, Tom Zé, Torquato Neto, Nara Leão, Gal Costa and Os Mutantes.
By RICARDO FABBRINI: Excerpt selected by the author of the recently released book “Contemporary art in three times”
By RICARDO FABBRINI: Speech to be given at the ceremony awarding the title of Professor Emeritus to the philosopher, educator and arts critic
By RICARDO FABBRINI: Profile of the philosopher recently awarded the title of Professor Emeritus at FFLCH-USP
By RICARDO FABBRINI:
Considerations from the book by Georges Didi-Huberman
By RICARDO FABBRINI:
Saggese's photographs are not records of the Amazon rainforest, which in terms of praise would praise its splendor or ecological photojournalism.
By RICARDO FABBRINI:
Considerations on the book by Artur Freitas that discusses the role of the avant-garde and conceptualism in Brazil
By RICARDO FABBRINI: The group’s montages “look at our own cancer”; “look at the inflamed vein within the city”
By RICARDO FABBRINI:
The reactivation of Lygia Clark's political strength in the present involves examining the "desire for community" underlying the artist's trajectory
By RICARDO FABBRINI: Comment on the work of Amilcar de Castro, which in July would have completed 100 years
By RICARDO FABBRINI: Commentary on the book by Artur Kon
By Ricardo Fabbrini:
Notes on the debate about the relationship between the autonomy of the aesthetic and praxis, based on the work of Peter Bürger.
By Ricardo Fabbrini
An update of the controversy raised in 1968 by the album Tropicália, a work that brought together, among others, Caetano Veloso, Gilberto Gil, Tom Zé, Torquato Neto, Nara Leão, Gal Costa and Os Mutantes.